Although Orbison hasn’t produced anything with Doldrums Recordings since 2010, his second startup, Hingefinger, has seen more activity. Hingefinger, was a joint venture between O’Grady and DJ/designer Will Bankhead. Under Hingefinger, Joy Orbison released ‘Ellipsis’ in 2012. Since Orbison’s early days, Hingefinger has turned dormant, with Bankhead focusing on his music and fashion label Trilogy Tapes, and Joy Orbison focusing on his making, rather than publishing, music.

Orbison kept a relatively low profile online, often dropping some of his tracks on exclusively physical formats. However, over the last few years, the producer has released a steady stream of work online. Last year, he released ‘Freedom 2’ with Peckham rapper Kwengface and electronic music duo Overmono. This was part of a continued collaboration between Overmono’s Tom and Ed Russell and Joy Orbison. The three artists have been collaborating since 2019 on dance tracks, predominantly, under the label XL Recordings.

Making a return to XL Recordings, Orbison took to Instagram to announce the release of ‘Flight FM’. The track marks a divergence from Orbison’s usual upbeat dance tracks, moving in a more subdued and droning direction. Speaking on Instagram, Orbison said: “I’m always wary of playing new ideas cos you run the risk of completely losing faith in it before you really make sense of it. But luckily it went down well which spurred me on to finish it”. The track’s name is in reference to a pirate radio station that Orbison tuned into as a child. Established in 1998, Flight FM permeated south London’s airwaves with underground dance music until 2008. Since its physical end, Flight FM has moved with the times and has found a space online. However, the station’s twitter hasn’t seen activity since February of 2018, making Orbison’s track a call back to a now-dead age in music.

As of today, ‘Flight FM’ can be found on YouTube, Spotify, and Apple Music.

pic.twitter.com/bA6LVFCRMd

— XL RECORDINGS (@XLRECORDINGS) January 1, 2024

Burial’s most recent release, Infirmary/Unknown Summer was in collaboration with Steve Goodman, also known as Kode9. The 2023 EP takes a more ambient approach, featuring spoken word sections, laid-back beats, and pitch-shifted vocals. In comparison, the new work teased by XL Recordings is aggressive, noisy, and raw. The clips feature distinctly different sounds from the ones produced with Kode9. This tonal shift may explain the change in label, a step away from the relaxed 2023 EP. Although the South London producer is currently signed to Hyperdub Records, owned by Kode9, Burial has worked with XL in the past. 

In 2020, Burial teamed up with XL, Kieran Hebden, better known as Four Tet, and Thom Yorke on two tracks titled ‘Her Revolution’ and ‘His Rope’. Since XL Recordings hosts a wide range of electronic producers, it is not out of the question that we may be getting another collaboration from Burial and another XL signed artist. Some of the major producers currently signed to XL Recordings are Overmono, a Welsh duo made up of Ed and Tom Russell, and Peggy Gou, a South Korean DJ and producer whose real name is Kim Min-ji. A potential collaboration between Overmono and Burial may seem more likely than some would think, with the glitchy aesthetic of both teaser videos matching that of the Overmono brand. 

We can speculate all day but all we currently know is that Burial is working on something new with XL Recordings.