The track from West’s latest project, ‘Carnival’ seems to feature a brief guitar riff from the Black Sabbath track: ‘Iron Man’. Although the original version of ‘Carnival’ was intended to use Black Sabbath’s iconic ‘Iron Man’ riff, the live show switched this sample to one from West’s own discography. My Beautiful Dark Twisted Fantasy’s ‘Hell of a Life’ was used in place of ‘Iron Man’. However, ‘Hell of a Life’ is itself an interpolation of Black Sabbath’s ‘Iron Man’. Speaking on social media Osbourne said: “Kanye West asked permission to sample a section of a 1983 live performance of ‘Iron Man’ from the US festival without vocals and was refused because he is an antisemite”.

. @KANYEWEST ASKED PERMISSION TO SAMPLE A SECTION OF A 1983 LIVE PERFORMANCE OF “IRON MAN” FROM THE US FESTIVAL WITHOUT VOCALS & WAS REFUSED PERMISSION BECAUSE HE IS AN ANTISEMITE AND HAS CAUSED UNTOLD HEARTACHE TO MANY. HE WENT AHEAD AND USED THE SAMPLE ANYWAY AT HIS ALBUM…

— Ozzy Osbourne (@OzzyOsbourne) February 9, 2024

Kanye West, as of late, has continually entrenched himself in controversy surrounding his frequent antisemitic outbursts. Speaking last year with far-right conspiracy theorist, Alex Jones, West said: “I see good things about Hitler.” Elaborating further, West doubled down by saying: “Every human being has something of value that they brought to the table, especially Hitler”. Kanye West has spent the last year surrounding himself with far-right personalities like the aforementioned Jones, who has recently lost a court case after he popularised a conspiracy theory that suggested that a 2012 shooting that took place in Connecticut’s Sandy Hook Elementary school was a hoax.

Other associates of West include Nick Fuentes, a far-right ethno-nationalist who is recognised by the Anti-Defamation League as a holocaust denier. As reported by Politico, both West and Fuentes attended a dinner hosted by former Republican president Donald Trump in late 2022. West has been a vocal supporter of Donald Trump since 2016. Although not Jewish himself, Ozzy’s wife Sharron Osbourne has gone on record with The Jewish Chronicle to say: “My family, my father’s family, my aunt, my cousins, are all Jewish.” In this light, Ozzy Osbourne’s statement that Kanye West’s antisemitic behaviour “has caused untold heartache to many” appears to have affected him on a personal level.

Although Kanye West posted an apology in Hebrew to his twitter page in late 2023 that read: “I sincerely apologise to the Jewish community for any unintended outburst caused by my words or actions.”, West continues to portray himself as an antisemite. Last night’s listening party livestream was cut short after the rapper said: “I’m still crazy, bipolar, antisemite, and I’m still the king”.

Despite his stance against West, Osbourne is not without his own political controversies. In a 1982 interview with Night Flight, a now-defunct American variety show, Osbourne stated that he got his ideas for his live performances from “Adolf Hitler”. The singer went on to say that: “Hitler had a charisma in a bad way and I kind of admired him. He was a freak; he was a lunatic, but he had something about him”.

Whether or not Osbourne’s past comments should be taken seriously, it is clear that he is attempting to distance himself from the antisemitism espoused by Kanye West, signing his tweet off by saying: “I want no association with this man [Kanye West].”

Of the most popular songs this year, a significant number are collaborations, which has brought new sounds to the limelight. Some have been from breakthrough acts, and all are reflections of the various events of 2020. Here are our top ten songs of 2020.

10. Contagion – Napalm Death
Arguably the highest peak in Napalm Death’s sixteenth record Thores of Joy in the Jaws of Defeatism (Century Media, 2020), ‘Contagion’ is the ruthless manifestation of Napalm Death’s forty-year long crusade against ignorance and social injustice. In a milestone album with influences ranging from signature grindcore to old-school industrial, the track is a straightforward brutal tirade against greed and corruption.

With music and lyrics by bassist Shane Embury and produced by Russ Russell (At The Gates, Dimmu Burgir, Exploited), ‘Contagion’ captures the rage and defiance of the whole record. The song is a fast and precise blend of grind and death metal, with doom feel and hardcore attitude. It is moody and angry, but above all, it is pure Napalm Death and one to remember 2020 with.

- Viktor Balchikliev

9. Strange Girl – Laura Marling
Strange Girl was written by Laura Marling and comes from her seventh studio album ‘Song for Our Daughter’ which was released in April of 2020. ‘Song for Our Daughter’ was co-produced by Laura Marling and long-time collaborator Ethan Johns. The album is a collection of messages Laura wants to convey to her future daughter.

The song addresses this fictional daughter as someone quite like Marling and has given up financial stability to pursue her art. The song is the perfect dance around the kitchen song, it follows the classic folk song style of and undeniable beat with a beautiful message, told through passionate lyrics. ‘Song For Our Daughter’ was shortlisted for the 2020 Mercury Awards and was also nominated for Best Folk Album in the 63rd Annual Grammy Awards.

- Susan Owens

8. Heat Waves – Glass Animals
Written by Glass Animals frontman Dave Bayley and produced by Paul Epworth (Adele, Rihanna, Florence and the Machine), has been pivotal in the band’s career – and this year for fans, gaining over 64 million streams. ‘Heat Waves’ is blends genres in the way that Glass Animals so often do; despite featuring hip-hop beats and influences from trap music, there is ultimately an electro-pop sound running throughout.

This was one of many singles to be shared from the band’s latest album ‘Dreamland’, premiering in June, with the album following in August. Lyrically, the song focuses on combatting the judgement of other people and staying true to one’s own path. Bayley wrote on Instagram, “It’s about realising you can’t make everyone happy. And realising it’s ok to be defeated by something,” going on to say, “being vulnerable should be a positive thing.”

7. Head &Heart – Joel Corry ft. MNEK
Head & Heart by Joel Corry, featuring the widely popular MNEK on vocals, was the UK’s favourite dance-track of the summer after its massive release in July. The single had the added benefit of being mixed by the acclaimed Kevin Grainger who has worked on iconic dance records, including with the late Avicii. Head & Heart was the fun and optimistic club-banger that was sorely needed in a time of isolation and therefore rocketed to the top of the charts in its first week.

Corry is a relatively new artist, only breaking onto the London DJ scene in 2019, so his success with this track has been unprecedented as it sat at the number 1 spot on the UK Single Charts for 6 weeks straight. Corry has come a long way from his reality television days on Geordie Shore as Head & Heart has made him one of London’s most successful DJ’s and producers of the year. It would be fitting to say that Head & Heart makes 2020’s heart go ‘boom boom bah doom!’

- Shana Briddock

6. Ain’t It Different – Headie One ft. Stormzy and AJ Tracey
‘Ain’t It Different’ was written by 13 writers (including AJ Tracey) and produced by Fred (Ed Sheehan, Rita Ora, Major Lazer, Ellie Goulding) and Toddla T (Major Lazer, Sean Paul). The song sees the three rappers trade straight-talking bars about how different their lives are now.

It’s an important message depicting how different their lives have changed since their younger days, which uses samples from M-Dubs’ Bump and Grind and Red Hot Chilli Peppers’ Pretty Little Dirty. Sitting at over 60 million streams and peaking at number 2 in the UK charts, these rap and R’n’B legends have hit out with a powerful and immersive song.

- Rory Aitken

5. Obey – Bring Me The Horizon and Yungblud
‘Obey’ is a collaboration between two pop-punk giants; Yungblud and Bring Me The Horizon. Full of battering guitars, hard-hitting drum beats and electric vocals, the song pulls from multiple genres nu metal, electronic dance music and rave music.

Throughout, the song carries a riotous energy, focusing on the oppression and suffering many face due to government control; “Obey, We’re gonna show you how to behave, Obey It’s nicer when you can’t see the chains.”  The track has received universal acclaim from fans and critics alike, being voted Annie Mac’s Hottest Record of the Year for 2020.

- Lily Blakeney-Edwards

4. Rain – Aitch, AJ Tracey and Tay Keith
Two of the biggest names in UK rap, Aitch and AJ Tracey, released their track ‘Rain’ this year on the 5^th of May 2020. The track was produced by Tay Keith, who also featured on the hit single which was premiered on BBC Radio 1 and 1XTRA as Annie Mac’s Hottest Record In The World and DJ Target’s ‘Targo Embargo’.

The LA Filmed video was produced by Arrad. NME says it “sees Aitch and AJ making it rain – both literally and metaphorically – as they hold onto stacks of dollar bills and rock various pieces of iced- out jewellery.” The 3 rap artists roll out their lyrics effortlessly over a heavy piano beat produced by Tay Keith. The highly anticipated track was a brilliant collaboration and it’s therefore no surprise it was a huge hit this year.

- Ashleigh K

3. All I Need – Jacob Collier ft. Mahalia and Ty Dolla $ign
Penned by our very own Jacob Collier, the ‘Clarity’ artist offers a soulful, R&B infused standout single. A creative collision between Jacobs, American rapper Ty Dolla $ign and singer- songwriter Mahalia (formally known as Mahalia Burkmar), All I Need draws upon the three artists’ eclectic and equally strong vocal prowesses.

‘All I Need’ is taken from Collier’s fourth studio album, ‘Djesse Vol. 3′. Released back in August, ‘All I Need’ is a genre-blending, foot-tapping bop, filled to the brim with sounds of both neo-soul and synth pop. Lyrically, the track hones in on the all too relatable feeling of infatuation. Collier sings: “I love the way that I feel when you put your arms over me/(There must be something I could say to make you stay baby)”. He said of the track’s meaning: “In the gorgeous, naive space that exists when one falls in love with somebody, it can really feel like they are exactly everything you need in that moment.”

- Sadie Willis-Falkiner

2. Don’t Start Now – Dua Lipa
Released as a single ahead of her successful ‘Future Nostalgia,’ album late last year, Dua Lipa’s ‘Don’t Start Now,’ made a splash which has led to it to becoming one of the biggest hits of 2020. The tune charted at number 2 on the official charts, only narrowly behind her two biggest hits, the UK number ones ‘New Rules,’ and ‘One Kiss,’ and it remained on the charts for a whopping 52 weeks.

Like the rest of ‘Future Nostalgia,’ don’t start now has a retro 80s disco vibe with a great bassline and neat guitar work, the lyrics are in some ways typical of Dua Lipa’s songwriting, dealing with everyday themes like relationships and heartbreak with simple, yet effective delivery. As we head into 2021 ‘Don’t Start Now,’ is still one of the hottest tracks in a hear of British music which has undoubtably been owned by Dua Lipa.

- Felix Leif

1. Black Dog – Arlo Parks
2020 was a breakthrough year for Arlo Parks, and in ‘Black Dog’ the Londoner produced a timely and powerful reflection on mental health which captured the frustrated, longing mood of a nation in lockdown. Parks’ lyrics fuse the mundanity of everyday life stuck indoors (“Let’s go to the corner store and buy some fruit/ I would do anything to get you out your room”) with a dark sensuality, particularly that superb opening line, “I’d like the grief right off your lips/ You do your eyes like Robert Smith”.

It’s a curious and winning combination which has gained over 10 million streams. Sonically, ‘Black Dog’ is sweetly melodic and quietly intense: an indie ballad which blends in folk and R&B influences to stirring effect.

2021 looks set to be another big year for Parks – her debut LP ‘Collapsed In Sunbeams’ is due for release next month – and you wouldn’t bet against this prodigious young talent scaling new heights in the very near future.

- Daniel Parker

Naming the song as his “best work yet”, Ty Dolla $ign’s new single is an infectiously danceable hip house throwback, with Skrillex’s production channeling the essence of classic samples from Queen Latifah’s “Dance for Me” and Ultra Naté’s “Free”, as well as Mucho Michie’s house remix of Ralphi Rosario and Xaviera Gold’s “You Used to Hold Me”. Playing on the title’s obvious narcotic associations, his verse and twigs’ mirror each other and bookend the song, using ego death as a stand-in for the loss of self one undergoes when in a relationship, and the rebuilding of the self necessary after it ends; Ty still hurting having been left alone, twigs already planning to “rise back up”. 

<3 @tydollasign @Skrillex @serpentwithfeet @kanyewest pic.twitter.com/iTA0UWxouy

— FKA twigs (@FKAtwigs) July 1, 2020

Debuting a full length version way back at Coachella 2019, a leaked mix of “Ego Death” had been floating around the web since March before its official release yesterday just in time for the summer. It’s frankly a tragedy we’ll have to wait so long for it to hit the dance floor. Speaking in a press release, Ty explained that the delay had come about since he “just had to find the right time to put it out”, adding that a new album was on the way.

Despite recording his verse well over a year ago, Kanye has coincidentally just announced his own upcoming album God’s Country after he put the single “Wash Us In The Blood” with Travis Scott on Tuesday. As for new output from twigs we’ll have to wait and see; it took five years for MAGDALENE, the follow up to her acclaimed debut, to arrive last November. But seeing as she teased a new mixtape earlier this year, there’s a good chance it won’t be too long til her next project. Listen to “Ego Death”’s official audio below: