The film, directed by Halina Reijn, seems to be based on a group of friends playing a game called (you guessed it) bodies bodies bodies, where someone is selected, at random, to become the ‘murderer’. But, as we have all presumably picked up at this point, the ‘murderer’ becomes a murderer and the group spends the night trying to figure out whodunit. Amandla Stenberg, Pete Davidson, Maria Bakalova, and a handful of other exciting names floating around Hollywood at the moment all appear in the ‘Scream’-Esque slasher that should be hitting the silver screens on August 5^th.

There have been several releases under A24’s umbrella in the last few years that I’m confident in saying have become cult classics; The Lighthouse, and Hereditary for example – and even a handful of films this year that have caused quite a splash; X, and Everything Everywhere All At Once – pretty much anything with this logo attached is destined for a specific kind of fanbase. Taking a look at the trailer, it’s clear to see why Charli was picked to back the clip – the semi-neon colour palette, the overtly ironic social awareness, even the slightly tongue in cheek humour of it all. It just makes sense.

Aside from the chopped-up rendition of the song we can piece together through the trailer, we have been given no other information on the song at all. With no sign of the track on her latest album, Crash, fans will just have to wait for Charli to make a move. But presumably, we’ll hear the full version at some point. If we continue to move at the rate we have over the last few months, or maybe even years, then we’ll have a brand-new-full-length LP probably on shelves in about a month. That being said, Crash was okay. After the lofty heights reached on her previous 2 albums (how i’m feeling now, and Charli) I’d be more than happy to wait a little longer to allow a little more care and attention that Crash seemed to be lacking.

The film, described as “part band doc, part look at the state of the nation”, will follow band members Jason Williamson and Andrew Fearn on their recent UK tour. True to the politically charged lyrical content of Sleaford Mods the film will take viewers to the more destitute and derelict parts of Britain, forgotten or ignored in a country in the throes of austerity.

Directed by Nathan Hannawin and Paul Sng, the film cites inspiraion from Patrick Keiller’s Robinson Trilogy, the wanderings of Iain Sinclair, and J.G. Ballard quote “The future is just going to be a vast, conforming suburb of the soul”.

The film promises a mix of live footage of the band, interviews with fans, and “a look at what individuals and communities are doing to resist so-called austerity measures.”

You can watch the trailer for Invisible Britain below:

Sleaford Mods recently performed at Banksy’s Dismaland. Dismaland is a month long art exhibition in the form of a theme park that primarily critiques capitalism and satirises Disneyland. Incidentally tying in with the themes of Sleaford Mod’s Invisible Britain, the exhibition is being held in Weston-Super-Mare – a neglected seaside town struggling because of the rise of cheap flights and dwindling interest in domestic tourism.

You can watch Sleaford Mods perform Faces to Faces at Dismaland below:

Invisible Britain will be screening in London on 3 October and Nottingham on 10 October, along side a live Q&A with Sleaford Mods and the directors. You can purchase tickets and get additional information here. or for more information you can visit the Facebook page for Invisible Britain here.

Sleaford Mods are also currently touring, with the remaining dates as following: