The move is reportedly an attempt to control the film’s direction, as they also did with 2021’s ‘Oasis Knebworth 1996’. That previous documentary was released under their still-existing company, Kosmic Kyte Ltd, which also lists co-manager Kyle McKinley as a person officer. Uprise North Ltd lists only the two brothers as officers, suggesting more control, or a change behind the scenes. 

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The Sun secured exclusive quotes from a source close to the situation, who claimed that streaming giants had expressed an interest in acquiring the rights to produce a documentary on the same subject. “They had endless offers from companies wanting to make and distribute their ­comeback film but by opening this new company, they appear to be taking total control”.  

Neither Gallagher has addressed the speculation head-on, however Liam has responded to fans on X. Responding to a question about an upcoming documentary ending up on Netflix, the singer said, “We’re not doing one.” Some took this as a cryptic message, hinting at more than one film or documentary in the works.  

The Oasis Live ‘25 tour was announced last year, and will see the band perform 41 confirmed shows worldwide. Among the tour dates are seven nights at Wembley Arena, and five more at Manchester’s Heaton Park. Even with multiple dates in the US, Australia, and more around the globe, the tour is dwarfed in scale by their previous tours supporting the albums ‘Definitely Maybe’ and ‘(What’s the Story) Morning Glory?’, which saw them perform 142 and 101 shows, respectively. Despite this, the 2025 shows will have an unprecedented cultural significance considering fans had been crying out for a reunion for 15 years.

The tour announcement hasn’t been without its issues, however. From the infamous dynamic pricing debacle, which led to accusations of price gouging, and more recently, an automated system mistakenly labelling genuine fans as bots, and refunding them their hard-earned tickets.  

Comment byu/joxers from discussion inoasis

As fans on the r/Oasis subreddit pointed out, reunion documentaries are nothing new, and live albums often follow. Blur’s 2023 reunion saw them perform two shows at Wembley, with footage used in a documentary, and a live album released a year later. 

Though nothing is confirmed, the Companies House website records clearly show that something is happening. As The Sun’s source put it, “Noel and Liam set the narrative from the start on their comeback, and they want to be in control of whatever ­happens during and after the shows. It has been a very long time coming, and they do not want to disappoint.”

A spokesperson for Ticketmaster has addressed the issue, saying: “Anyone who has been contacted and believes a refund was made in error has been sent a form to fill in for the tour’s promoters to review.” However, fans going through the form to appeal their refund and get their tickets back encountered issues with error messages, leaving them to contact customer support again.

If 2025 could actually get any worse – now I don’t even have this to look forward to any more
Denying legit fans their tickets??

@oasis @liamgallagher @NoelGallagher @BBCBreaking @NME @Ticketmaster @ticketmasteuk @TMFanSupport pic.twitter.com/UROctkNZ4S

— Jen (@lostinmusic72) February 7, 2025

X user, ‘@lostinmusic72’, posted a screenshot of the email from Ticketmaster, informing them of the decision to refund the ticket. The ticketing platform claimed that the refund had been requested by the band’s tour promoter, and that they had violated the conditions under which the tickets were purchased. The same X user had gone through the presale process, which required customers to correctly answer a question about the first Oasis drummer and should have further proven that they were not a bot.  

Not sure what DM has achieved though… I’d already filled a form in. For someone to review what I already know, which is that I’m a human who brought two tickets. No proper explanation of the process, no ability to speak to a human (Ironic really!) — Matthew Ewers (@MatthewEwers) February 7, 2025

The 2025 tour is being promoted by SJM concerts and Live Nation, with the latter also being the owner of Ticketmaster. Prices for the shows started at around £150, but due to dynamic pricing, some fans were being charged upwards of £350 for the same tickets. The public backlash has led to calls for further transparency in ticket pricing, with the original price and dynamic price being displayed side by side, as well as the government planning a consultation for autumn.   

Oasis issued a statement on the issue, saying: “”When unprecedented ticket demand is combined with technology that cannot cope with that demand, it becomes less effective and can lead to an unacceptable experience for fans.” The band would later confirm that the same pricing model wouldn’t be applied to the North American leg of the tour, as well as distancing themselves from the decision. “It needs to be made clear that Oasis leave decisions on ticketing and pricing entirely to their promoters and management.”  The band also changed the ticketing policy for their subsequently announced Wembley shows, opting for a staggered approach instead.

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Despite the backlash and Ticketmaster’s central role, some online defend the platform, arguing that it only provides the feature as an option rather than enforcing it. A report by The Sun found that dynamic pricing adjusts costs based on demand, creating an uncertainty in the customer. Sir Chris Bryant, Minister for Creative Industries, said that uncertainty pressures fans into panic-buying, fearful of missing out.  

The panic spread across to Reddit too, with the subreddit r/Oasis being flooded with anxious fans checking their emails, hoping not to receive an email with a refund confirmation. The subreddit also saw criticism aimed at Ticketmaster for acting so late, suggesting that anybody using bots would have bought the tickets and sold them on by now, with real fans being the ones missing out.

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Oasis, their management, or their promoters have yet to comment on the issue. Fans who until this week thought they would be attending this once-in-a-lifetime experience, were falsely accused of being ‘bots’ and forced to request a reissue of their ticket through an error-prone online form. With a summer of shows and festivals around the corner, the government’s autumn consultation may not come soon enough.