Originating in 2014 as a scheme to provide direct financial support to independent acts, MEGS has allowed acts to use high-quality marketing and promotional compaigns abroad, in an attempt to attract new fans overseas, create bigger touring opportunities and generate revenue. These outcomes broaden the UK’s music export potential, giving UK artists access to global markets, fine-tuning the UK music industry with fresh talent to revitalise the British economy.

Culture Secretary Lisa Nandy spoke about the benefits of MEGS, stating: “The Music Export Growth Scheme has helped so many of our talented homegrown artists launch their careers internationally. As part of our Plan for Change, we are supporting our creative industries to reach their full potential including through this latest round of funding, which will help the next generation of artists to tour abroad, market themselves to new audiences and showcase the best of British culture and creativity to the world.”

British music is going global!

We’re thrilled to announce the 58 recipients of funding from Round 23 of the Music Export Growth Scheme! In partnership with @DCMS and @biztradegovuk

Can you see your favourite artist?

Read more about MEGS here: https://t.co/1lIJoSjMcBpic.twitter.com/T4mFoYP89w

— BPI (@bpi_music) March 8, 2025

Supporting thousands of musical acts across all genres since it’s ascension, MEGS has assisted in the creation of international careers of Jungle, Ezra Collective, Dave, beabadoobee and so many more.

Acts apply for grants ranging from £5,000 to £50,000 to facilitate efforts to launch their career’s overseas.

The news of this year’s scheme not long follows its negative attention in the media after Irish hip-hop trio KNEECAP took the UK government to court, after their application for the grant in 2023 was declined early last year. The group won the legal battle, on the grounds of discrimination, which alerted to the dangers of the scheme being hyper-politicised as it became apparent the then-Conservative government opposed KNEECAP’s application based on their fervent pro-Ireland stance, highly provocative and politically-charged musical content.

The Irish band Kneecap have won a discrimination case against the UK government.

The trio launched legal action after the former business secretary Kemi Badenoch withdrew their arts grant.

Kneecap claimed this discriminated against them because of their political opinions. pic.twitter.com/QAh9ydNNcY

— Channel 4 News (@Channel4News) November 29, 2024

This year’s £1.6 million is the most the scheme has ever given away to its participants, this comes at a time where the government are focusing on their upcoming Industrial Strategy to promote growth in the UK’s creative industries. The sector reportedly employs more than 2.4 million people and is worth almost £125 billion to the UK economy.

When speaking on the UK Creative Industries Sector Gareth Thomas, Minister for Exports and Small Businesses, said: “The UK has always led the way with its world-renowned musical acts, and this funding is vital to supporting smaller music companies to seize opportunities abroad. Not only will this help shine a spotlight on the best of British talent globally, but it will drive exports aboard, amplifying growth at home in the UK.”

This year’s eclectic mix of beneficiaries of the Music Growth Export Scheme include: Blossoms, Lambrini Girls, Matt Maltese, Nova Twins, Soft Play, Wunderhorse and more. You can find the full list here.

The group known for their socially-conscious and outspoken lyricism, often delivered in a fusion of English and Irish, applied to the Music Export Growth Scheme for a grant in 2023, an arts scheme (which supported by the government) provides grants to independent music companies to promote their artists internationally. At the time, Kneecap’s application was provisionally approved by the British Phonographic Industry, before it was unveiled in June that Badenoch had revoked their application back in February.

A spokesperson for the then Business Secretary, Kemi Badenoch, argued the rejection of Kneecap’s application followed the perspective that the government did not want to hand taxpayers’ money “to people that oppose the United Kingdom itself”.

Since their ascendance in 2017, Kneecap have been under the watchful eye of the Conservative Party, previously the Conservative government, due to their conduct and ethos as a group. The trio have been subject to criticism from the Conservatives throughout the years for their highly provocative lyrics, fervent pro-Ireland stance within their discography and their blatant imagery within merchandise and touring. Their 2019 tour titled ‘Farewell to the Union’ featured a tour poster of Boris Johnson, the then-Prime Minister, on a rocket.

Kneecap’s ‘Farewell To The Union’ Tour Poster (2019)

As a group formed from a dedicated ethos of social consciousness, Irish unity and opposition to British rule, Kneecap’s DJ Próvaí arrived at the Belfast High Court hearing, on brand, in a RUC Land Rover in his signature tri-colour balaclava whilst presenting the Irish and Palestinian flags.

View this post on Instagram

A post shared by KNEECAP (@kneecap32)

As the Belfast High Court ruled the UK government had acted unlawfully against Kneecap, the group’s barrister Ronan Lavery KC said: “It is declared that the decision is unlawful, procedurally unfair, took into account immaterial considerations and failed to take into account relevant factors”.

The hearing concluded that the government would pay the band £14,250 – the grant amount they’d initially applied for. The ‘Get Your Brits Out’ trio equally split the money, donating it to two youth organisations, who work with both Protestant and Catholic communities across Northern Ireland. Despite winning the court battle, Kneecap have stated it was never about the money, instead about the promotion of equality.

In their statement posted on social media, the trio stated: “For us this action was never about £14,250, it could have been 50 pence. The motivation was equality. This was an attack on artistic culture, an attack on the Good Friday Agreement itself and an attack on Kneecap and our way of expressing ourselves.”

Continuing: “They don’t like that we oppose British rule, that we don’t believe that England serves anyone in Ireland and the working classes on both sides of the community deserve better; deserve funding, deserve appropriate mental health services, deserve to celebrate music and art and deserve the freedom to express our culture.”

View this post on Instagram

A post shared by KNEECAP (@kneecap32)

“They broke their own laws in trying to silence Kneecap… They didn’t like the fact that we are totally opposed to all they represent, embodied right now by their arming of genocide in Gaza.”

They concluded the statement: “Free Palestine! – Kneecap x” – a sentiment fit for the band whose member Móglaí Bap, only last week raised over £30,000 for Gaza food parcels by running 10km a day on their most recent tour.

This latest case between Kneecap and the UK Government illustrates the significance of the music industry in utilising art as a means of promoting equality and the freedom of expression, against restrictive societal constructs and governments.

Kneecap have claimed the UK government blocked the grant, or the British Phonographic Industry (BPI) funding award, worth £15,000 in a bid to “silence” them. The BPI has said it was “disappointed” with the decision made by the government in not approving the grant, despite funding under the Music Export Growth Scheme being recommended by an independent panel.

A letter from Phoenix Law seeking a judicial review of the decision made by Badenoch claims the action is “state-sponsored censorship“, adding that the decision contravenes the 1998 Good Friday Agreement. The law firm also states that the decision violates the Windsor framework, a post-Brexit trade deal that sets out Northern Ireland’s rights in regards to the UK and the EU.

Our team has assembled https://t.co/JhzjuQctZB

— KNEECAP (@KNEECAPCEOL) February 9, 2024

A spokesperson for Kemi Badenoch has said, “We fully support freedom of speech, but it’s hardly surprising that we don’t want to hand out UK tax money to people that oppose the United Kingdom itself.”

Kneecap, posting on X, has said in a statement, “We’ve been blocked from receiving significant music funding because a Tory Minister doesn’t like our art. F*ck the Tories.”

The leader of the Social Democratic and Labour Party, an Irish nationalist party in Northern Ireland, Colum Eastwood, has called the decision by Badenoch to overturn the decision to grant the funding “highly irregular”.

He has said, “It would be unacceptable if the British Government had instituted a policy of defunding groups because they support Irish Unity, Scottish Independence, Welsh Independence or any other change to the constitutional status quo. Worse, in the context of Northern Ireland it may represent a breach of the British Government’s obligations under the treaty signed after the Good Friday Agreement which includes a commitment to exercise power on the basis of parity of esteem between communities in the North.”

He added, “Art is meant to be challenging. You don’t have to agree with an artist or group to understand the importance of funding creators who challenge the status quo and the establishment. I have submitted a number of Parliamentary Questions to establish what has happened here. If there has been a change of funding policy to make that more difficult then Kemi Badenoch needs to come clean about it.”

Kneecap, formed in 2017, frequently visit the topic of Irish nationalism in their music and sing in both Irish and English. They have released one album, 3CAG (2018), and plan on touring North America next month.

Listen to “Get Your Brits Out” below: