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	<title>mxdwn.co.uk &#187; Mick Jones</title>
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		<title>The Clash’s Mick Jones Curates Rock &#8216;n&#8217; Roll Library Exhibition</title>
		<link>https://www.mxdwn.co.uk/news/the-clashs-mick-jones-curates-rock-n-roll-library-exhibition/</link>
		<comments>https://www.mxdwn.co.uk/news/the-clashs-mick-jones-curates-rock-n-roll-library-exhibition/#comments</comments>
		<pubDate>Thu, 06 Mar 2025 01:14:21 +0000</pubDate>
		<dc:creator><![CDATA[Lewis Pinto]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Big Audio Dynamite]]></category>
		<category><![CDATA[British Punk]]></category>
		<category><![CDATA[Exhibition]]></category>
		<category><![CDATA[Farsight Gallery]]></category>
		<category><![CDATA[Mick Jones]]></category>
		<category><![CDATA[punk]]></category>
		<category><![CDATA[Rock n roll public library]]></category>
		<category><![CDATA[The Clash]]></category>

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		<description><![CDATA[Mick Jones, guitarist of The Clash and founder of Big Audio Dynamite, has opened a new exhibition celebrating various pieces of 20th-century pop culture history. Running from 1 to 16 March at London’s Farsight Gallery, the latest show marks the first time since 2019 that Jones’ Rock ‘n’ Roll Public Library has been on display [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><span style="font-weight: 400;">Mick Jones, guitarist of The Clash and founder of Big Audio Dynamite, has opened a new exhibition celebrating various pieces of 20th-century pop culture history. Running from 1 to 16 March at London’s Farsight Gallery, the latest show marks the first time since 2019 that <a href="https://www.rocknrollpl.com" target="_blank">Jones’ Rock ‘n’ Roll Public Library</a> has been on display to the public.</span></p>
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<p><script src="//www.instagram.com/embed.js" async=""></script> <span style="font-weight: 400;">The ‘library’ is made up of tens of thousands of items from Jones’ personal collection, gathered over his lifetime. This includes stage-worn clothing, original posters for his shows, and musical equipment from his time in The Clash, as well as a variety of physical media which audiences are encouraged to engage with. </span> <strong><strong> </strong></strong></p>
<p><span style="font-weight: 400;">Alongside the new exhibition, the Rock ‘n’ Roll Public Library are <a href="https://www.creativereview.co.uk/rock-roll-public-library-magazine-exhibition/" target="_blank">launching a magazine to act as a portable version or the archive</a>. Their first issue is DIY-themed, paying homage to the self-sufficient spirit of the early punk movement, and acts as a parallel to the zine, which were written, designed, and printed by fans.</span></p>
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<a href="https://www.reddit.com/r/punk/comments/11mgdrx/comment/jbi9bwt/">Comment</a> by<a href="https://www.reddit.com/user/janalisin/">u/janalisin</a> from discussion in<a href="https://www.reddit.com/r/punk/">punk</a>
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<p><script src="https://embed.reddit.com/widgets.js" async="" charset="UTF-8"></script> <span style="font-weight: 400;"><a href="https://faroutmagazine.co.uk/how-diy-ethos-of-punk-arise/" target="_blank">DIY culture was a central pillar of punk</a>, with bands releasing their own music through independent labels, and choosing to make their own unique clothing, all in an effort to be self-sufficient, and not rely on the music industry. The Clash emerged from this world, but quickly signed to CBS records for £100,000, prompting accusations of selling out. <a href="https://www.newyorker.com/magazine/2004/11/01/1979" target="_blank">Mark Perry, founder of influential punk zine </a></span><a href="https://www.newyorker.com/magazine/2004/11/01/1979" target="_blank"><i><span style="font-weight: 400;">Sniffin’ Glue,</span></i></a><span style="font-weight: 400;"><a href="https://www.newyorker.com/magazine/2004/11/01/1979" target="_blank"> declared</a>, “Punk died the day The Clash signed to CBS.”</span> <strong><strong> </strong></strong></p>
<p><span style="font-weight: 400;">Kirk Lane, one part of the Rock ‘n’ Roll Public Library Team, describes the collection as charting the journey of an imaginary figure as they meander through childhood into art and music. “This [current] exhibition expands on and complements the first issue of the magazine which is a general overview of the archive,” <a href="https://www.creativereview.co.uk/rock-roll-public-library-magazine-exhibition/" target="_blank">said Lake.</a></span> <strong><strong> </strong></strong></p>
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<p><span style="font-weight: 400;">The exhibition&#8217;s immersive style, ranging from rooms resembling a mid-century living room to books of handwritten notes that guests are free to browse, will feel familiar to visitors of </span><i><span style="font-weight: 400;">Davd Bowie Is</span></i><span style="font-weight: 400;"> and </span><i><span style="font-weight: 400;">The Beatles Story. </span></i><span style="font-weight: 400;">This project is more hands-on, however, actively encouraging visitors to handle many of the items, and read the hundreds of books that make up the archive. </span></p>
<p><span style="font-weight: 400;">Jones has expressed a desire to find a permanent home for the ever-changing exhibition, <a href="https://www.theguardian.com/music/2009/mar/19/mick-jones-rock-and-roll-public-library" target="_blank">saying at one of the very first exhibitions in 2009</a>, “I&#8217;d like to have a permanent place to exhibit the whole collection&#8230; like a library where you can come and see the stuff and maybe get a copy or sit there and read it.&#8221;</span></p>
<p><strong><strong> <iframe title="YouTube video player" src="https://www.youtube.com/embed/IZ5BXAURLg0?si=I5PD2w9pJd_wImAy" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> </strong></strong></p>
<p><span style="font-weight: 400;">Though many fans of Jones and The Clash will want to visit the exhibition, the limited duration and location will leave many relying on the magazine to get their fill. <a href="https://www.rocknrollpl.com/magazine" target="_blank">Described as a</a> “ragged map to aid further exploration and inspire creation,” it will initially be sold exclusively at the exhibition before becoming available online and in selected shops. </span></p>
<p><strong><strong> </strong></strong>With each issue exploring a new theme, the project invites readers into Jones’ obsession with pop culture, a physical link between today and a world that has almost entirely disappeared. The exhibition is open until 16 March and is free to all visitors.</p>
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		<title>Johnny Marr, Tricky and Mick Jones To Feature On New Avalanches LP</title>
		<link>https://www.mxdwn.co.uk/news/johnny-marr-tricky-and-mick-jones-to-feature-on-new-avalanches-lp/</link>
		<comments>https://www.mxdwn.co.uk/news/johnny-marr-tricky-and-mick-jones-to-feature-on-new-avalanches-lp/#comments</comments>
		<pubDate>Wed, 18 Nov 2020 17:06:43 +0000</pubDate>
		<dc:creator><![CDATA[Daniel Parker]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Johnny Marr]]></category>
		<category><![CDATA[Mick Jones]]></category>
		<category><![CDATA[Tricky]]></category>

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		<description><![CDATA[The Clash&#8217;s Mick Jones, Smiths&#8217; guitarist Johnny Marr and Bristolian trip-hop pioneer Tricky are among a host of British acts featuring on the latest album from psychedelic electro merchants The Avalanches. The Australian experimentalists upcoming LP We Will Always Love You will also include input from Ilford&#8217;s Blood Orange (aka Dev Hynes, or formerly, Lightspeed [&#8230;]]]></description>
				<content:encoded><![CDATA[<p>The Clash&#8217;s Mick Jones, Smiths&#8217; guitarist Johnny Marr and Bristolian trip-hop pioneer Tricky are among a host of British acts featuring on the latest album from psychedelic electro merchants The Avalanches. The Australian experimentalists upcoming LP <i>We Will Always Love You</i> will also include input from Ilford&#8217;s Blood Orange (aka Dev Hynes, or formerly, Lightspeed Champion); Newcastle-born folk veteran Vashti Bunyan; and London DJ and musician Jamie xx.</p>
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<p dir="ltr" lang="und"><a href="https://t.co/NJSzGnxCl4">pic.twitter.com/NJSzGnxCl4</a></p>
<p>— The Avalanches (@TheAvalanches) <a href="https://twitter.com/TheAvalanches/status/1327148458084601856?ref_src=twsrc%5Etfw">November 13, 2020</a></p></blockquote>
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<p><em>We Will Always Love You</em> is only the third studio album from The Avalanches, who have been  active on the dance scene since 1997. The Melbourne outfit &#8211; headed up byfounding members Robbie Chater and Tony Di Blasi &#8211; enjoyed their greatest successes in the UK with their 2000 top ten LP <em>Since I Left You</em>. That album spawned a clutch of global hit singles, including the titular track, <em>Electricity</em> and the unforgettable, uncategorizable delight <em>Frontier Psychiatrist</em>.</p>
<p>In an interview with <a href="https://www.nme.com/news/music/the-avalanches-new-album-we-will-always-love-you-tracklist-johnny-marr-karen-o-mgmt-perry-farrell-2819750"><em>NME</em></a>, the band have suggested the new record will mark a slight departure from the distinct, so-called &#8216;sampledelia&#8217; sub-genre they have made their own over the years. Robbie Chater said <em>&#8220;This record doesn’t sound exactly like what we’ve done before, and that’s probably the result of following up a sample-heavy epic album with another one and then just knowing we wouldn’t do another one like that. They’re brutal to make.&#8221;</em></p>
<p>Johnny Marr is no stranger to a leftfield collaboration, having teamed up with everyone from Billie Eilish to renowned Hollywood composer Hans Zimmer over recent years. His latest joint effort with The Avalanches &#8211; on a track which also features Connecticut indie-pop stars MGMT &#8211; comes amid speculation that he is also working on a fourth solo album. In August the former Smiths, Cribs and Modest Mouse man teased his followers on <em><a href="https://www.instagram.com/p/CDgg_JYB56M/?utm_source=ig_web_copy_link">Instagram</a></em> with the caption &#8220;<em>Joe’s Corner. Crazy Face Factory. Album 4.</em>&#8221;</p>
<p>Mick Jones can add The Avalanches to his own long list of collaborators: The Clash guitarist has previously recorded with Gorillaz, The Flaming Lips, The Wallflowers and Algerian musician Rachid Taha, among others. He will now appear on new Avalanches track <em>We Go On</em>  alongside Californian multi-instrumentalist Cola Boyy, an artist <a href="https://www.dazeddigital.com/music/article/41488/1/cola-boyy-interview"><em>Dazed</em></a> magazine have described as a &#8216;<em>disco crooner, songwriter and Marxist organiser&#8217;</em>: an unlikely triad of qualities which will doubtless have attracted one of the key figures behind <em>Sandinista!</em>, The Clash&#8217;s legendary triple album which celebrates its 40th anniversary next month.</p>
<p>Tricky, who features on album track <em>Until Daylight Comes, </em>has also had a busy year in 2020.  March&#8217;s <em>20:20</em> EP was followed in September by his fourteenth studio album <em>Fall To Pieces</em>, which <a href="https://pitchfork.com/reviews/albums/tricky-fall-to-pieces/"><em>Pitchfork</em></a> described as producing &#8220;<em>some of his most darkly moving music in years</em>.&#8221; Not to be constrained by the English lockdown, the West Country rapper released another surprise EP &#8211; <em>Doorway</em> &#8211; last week.</p>
<p>Other artists featuring on The Avalanches&#8217; new record include Yeah Yeah Yeahs frontwoman Karen O, Weezer&#8217;s River Cuomo, Swedish singer-songwriter Neneh Cherry, and former The War on Drugs guitarist Kurt Vile. The track listing for  <em>We Will Always Love You</em> &#8211; which is due for release on December 11th 2020 &#8211; is as follows:</p>
<p>1. <em>Ghost Story</em> (feat. Orono)<br />
2. <em>Song For Barbara Payton</em><br />
3. <em>We Will Always Love You</em> (feat. Blood Orange)<br />
4. <em>The Divine Chord</em> (feat. MGMT &amp; Johnny Marr)<br />
5. <em>Solitary Ceremonies</em><br />
6. <em>Interstellar Love</em> (feat. Leon Bridges)<br />
7.<em> Ghost Story Pt 2</em> (feat. Leon Bridges &amp; Orono)<br />
8. <em>Reflecting Light</em> (feat. Sananda Maitreya &amp; Vashti Bunyan)<br />
9. <em>Carrier Waves</em><br />
10. <em>Oh The Sunn!</em> (feat. Perry Farrell)<br />
11. <em>We Go On</em> (feat. Cola Boyy &amp; Mick Jones)<br />
12. <em>Star Song.IMG</em><br />
13. <em>Until Daylight Comes</em> (feat. Tricky)<br />
14. <em>Wherever You Go</em> (feat. Jamie xx, Neneh Cherry &amp; CLYPSO)<br />
15. <em>Music Makes Me High</em><br />
16. <em>Pink Champagne</em><br />
17. <em>Take Care In Your Dreaming</em> (feat. Denzel Curry, Tricky &amp; Sampa The Great)<br />
18. <em>Overcome</em><br />
19. <em>Gold Sky</em> (feat. Kurt Vile)<br />
20. <em>Always Black</em> (feat. Pink Siifu)<br />
21. <em>Dial D For Devotion</em> (feat. Karen O)<br />
22. <em>Running Red Lights</em> (feat. Rivers Cuomo &amp; Pink Siifu)<br />
23. <em>Born To Lose</em><br />
24. <em>Music Is The Light</em> (feat. Cornelius &amp; Kelly Moran)<br />
25. <em>Weightless</em></p>
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