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In their announcement post, they share snippets of songs to come in slides, which fans have identified as versions of ‘Doomed’, ‘Kool Aid’ ‘Follow You’ and ‘Throne’, with help from the cryptic hangman-style clue in the final slide. Whilst ‘Follow You’, their initially divisive pop/rock track, flows seamlessly into the style of ambient lo-fi, the band makes more surprising genre transitions. Their energetic metalcore single, ‘Kool Aid’ from their 2024 album ‘Post Human: Gen X’, for instance, seems almost unrecognisable in its wordless, atmospheric reworking.

The band shared on X that these songs are designed for “chilling, focus, sleeping, zoning out…whatever u like”. They also referenced the lo-fi producers who they’ve collaborated with on the project.  

coming soon pic.twitter.com/qxsXXKtITo — Bring Me The Horizon (@bmthofficial) July 8, 2025

This is not the first genre shift from Bring Me The Horizon, a metal band known for experimental and surprising new eras. The band originally found their sound in death metal, with their first albums ‘The Bedroom Sessions’ and ‘Count Your Blessings’. However, since then they have pushed the boundaries of rock and metal, from pop/rock album ‘That’s The Spirit’, which reached number 2 on the Official Albums Chart in 2015, to their 2019 electronic alt-rock album ‘Amo’.

And this is not their first rodeo with lo-fi, having surprised fans with their album ‘Music To Listen To…’ in 2019, an ambient, experimental project with tracks up to 24 minutes long. 

Bring Me The Horizon have been hinting at a style change for several months, posting edits of their songs to 2000s style anime edits. Whilst fans anticipated a new era, many did not expect this to be anything like ‘Lo-Files’. Despite the shock, fans are all-in. 

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There is particular excitement for remixes of the band’s older and heavier tracks, with one fan hoping for their 2009 metalcore album ‘Suicide Season’ to feature on ‘Lo-Files’.  

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The band will be headlining Reading & Leeds festival this year along with a North American tour this Autumn. Find their next surprising update on the band’s official website and pre-save ‘Lo-Files’  here.

With the announcement comes the release of a new single from the forthcoming album, “My Little Tony“, accompanied by a music video.

Watch the music video for “My Little Tony” below:

The new upcoming album marks a period of impressive proficiency for the band, having released their debut full-length studio LP a few months ago in May. Tracey Denim was hugely anticipated and lived up to expectations by all accounts, with the band producing an album that mixed the lofi, shoegaze roots of the group with a more polished, indie post-punk feel, with the tracks “Nurse!” and “Punkt” in particular containing a driven and more focused post-punk approach.

“My Little Tony” appears to suggest that the new album will not shy away from shoegaze completely, being a track that immediately kicks into life with a loud, unceasing and sprawling guitar sound that is permeated throughout with crisp and distinct drum beats.

One thing that has not changed from their debut LP, indeed, and what makes Bar Italia such a unique and uncompromising musical group, is the curious fact that all three members of the band, Nina Cristante, Sam Fenton and Jezmi Tarik Fehmi, retain their vocal roles as well as their instrument playing roles. The fact that all three sing at various points adds a level of sophistication and depth to their recordings that is unparalleled in contemporary indie and alternative rock.

The London based trio, named after the popular Soho bar/cafe Bar Italia, had previously worked with producer Dean Blunt, producing two EPs under Blunt’s label World Music (Quarrel in 2020 and Bedhead in 2022). They signed with Matador Records in March of this year and are set to release impressive two albums in 2023. The Twits was recorded in eight weeks in a makeshift home studio in Mallorca and was mixed by producer Marta Salogni.

The releasing of The Twits will also be supported by a European tour. See below for tour dates:

23/09/2023 – Seanie Buttons – Cork
24/09 – Workman’s Club – Dublin
28/09 – Monk Club – Rome
29/09 – Covo Club – Bologna
30/09 – Spazio 211 – Turin
01/10 – Biko – Milan
31/10 – Yes – Manchester
01/11 – The Fleece – Bristol
02/11 – Mutations Festival – Brighton
03/11 – Brudenell Social Club – Leeds
04/11 – Room 2 – Glasgow
05/11 – Rough Trade – Nottingham
06/11 – Rough Trade East – London
07/11 – Village Underground – London
09/11 – Antipode – Rennes
11/11 – Pitchfork Music Festival – Paris
12/11 – Le Ciel – Grenoble
13/11 – Palace – St. Gallen
15/11 – B72 – Vienna
16/11 – Manufaktur – Schorndorf
17/11 – TransCentury Update – Leipzig
18/11 – Molotow Skybar – Hamburg
19/11 – Lido – Berlin
20/11 – Vega – Copenhagen
22/11 – Tanzhaus West – Frankfurt
23/11 – Rotown – Rotterdam
24/11 – Bitterzoet – Amsterdam
25/11 – Trix – Antwerp
26/11 – Botanique – Brussels

Tour tickets are available here.

Pre-order The Twits here.

Watch the music video for “punkt” below:

The London based band, consisting of Nina Cristante, Jezmi Tarik Fehmi and Sam Fenton, have hitherto had their promising beginnings in the UK music scene shrouded in obscurity, employing a minimal social media presence and a general sense of not wanting to be recognised.

What we do know about the intriguing trio is this: they get their name from popular Soho bar/cafe Bar Italia (a spot which also inspired the same name for a Pulp track back in 1995), and they are connected to Dean Blunt, musician and record producer, and have previously released two EPs under Blunt’s label World Music (Quarrel in 2020 and Bedhead in 2022). These initial recordings are hugely experimental in nature, incorporating indie rock with shoegaze in a highly lo-fi approach.

This March saw them being signed to Matador Records, and with their first feature length album brings the hope of a knowability that fans of the group have been craving. The two releases from the LP thus far, “Nurse!” and “punkt”, seem to suggest a drift away from the band’s lo-fi, shoegaze roots; employed in both tracks instead is a hypnotic bassline that is accompanied by a driving and constant effort by both rhythm and lead guitars, leading to a sort of indie post-punk feel. In “Nurse!”, however, a noise-rock element is retained, featuring heavy, distorted guitar sounds with each third verse.

Watch the music video for “Nurse!” below:

Interestingly enough both tracks also feature each member of the band having vocals. “Nurse!” sees each member have two verses each, taking a verse at a time in order and then repeating, all the while having different instrumentation dictating a different mood with each verse, while “punkt” contains a single verse each from each band member, starting with Fenton and finishing with Cristante.

It is distinctly clear to see, then, why there is such an air of excitement around this group. There is a definite sense of the band coming into their own and arriving at their creative peak with this forthcoming release, and I for one cannot wait to taste it.

Find the tracklist for Tracey Denim below:

1. “guard”
2. “Nurse!”
3. “punkt”
4. “my kiss era”
5. “F.O.B”
6. “Missus Morality”
7. yes i have eaten so many lemons yes i am so bitte”
8. “changer”
9. “Horsey Girl Rider”
10. “NOCD”
11. “best in show”
12. “Clark”
13. “harpee”
14. “Friends”
15. “maddington”

Pre-order Tracey Denim now here.