The clip showcases a conversation about Priest’s enduring classic ‘Breaking the Law’ between leading figures in rock, including Smashing Pumpkins frontman Billy Corgan, Anthrax’s Scott Ian, Morello and others. It also features Priest vocalist Rob Halford’s thoughts about the track, calling it a “revolution song” about the strife of the industrial working class at the height of Thatcherism.

Morello himself in discussing the film has linked the documentary to the political situation referenced in the clip, declaring in Berlin that “the band’s existence is very political”, as quoted in Deadline. While never explicitly discussing political themes, issues or figures, the song describes the dehumanising feeling of unemployment in early 1980s Britain, when joblessness reached over 3 million. Halford added that “I try my best to avoid that type of explicit message, but it’s there. It’s there, and that gives me some comfort that I’m not letting myself down consciously on subjects that mean a lot to me and piss me off.”

The film, the first that Morello has directed, will be playing at the Berlin festival until February 22, and little has been disclosed about a wider release in the months following.

Co-directing is Sam Dunn, who, with his company Banger Films, has been active for over two decades, releasing the widely-acclaimed 2004 film ‘Metal: A Headbanger’s Journey’, the 2009 tour documentary/concert film ‘Iron Maiden: Flight 666’ and 2014’s ‘Super Duper Alice Cooper’. Dunn also directed the comprehensive ‘Metal Evolution’, a documentary series detailing the birth and transformation of metal since the days of Black Sabbath.

Discussing the Priest documentary, Dunn said that he is “beyond excited for all our German metalheads to get the first look”, Morello declaring that he is “so excited for the world to see this amazing project”.

As well as a detailed look at the music, the film will also document the ‘Metal Gods’ in their rise to international headline status, Halford’s journey with drugs and his sexuality, and where Priest stand today.

The last few years have been eventful for the Black Country’s riff masters, releasing their latest album Invincible Shield in 2024 to an almost uniformly positive reception and touring extensively behind it, going to number 2 in the UK Album chart and number 1 in the UK and US rock charts, as well as number 1 in Germany, Austria and Sweden among others. Priest will headline Bloodstock later this year alongside Russian deathcore juggernaut Slaughter to Prevail and American groove metallers Lamb of God, as well as fellow British metal legends Saxon.

For decades, ‘War Pigs’ has been an integral part of Judas Priest’s live shows, often serving as their walk-out song before they hit the stage. Its dark, anti-war message and thunderous riffs set the tone for the band’s high-octane performances, making the song a fitting anthem for their legacy in heavy metal. Now, rather than just using it as their dramatic introduction, Priest have recorded their own definitive version- made even more powerful with the voice of the man who first brought it to the world.

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The collaboration carries special weight due to guitarist Glenn Tipton’s ongoing battle with Parkinson’s disease. Tipton revealed his diagnosis in 2018, stepping back from touring but continuing to contribute in the studio. His guitar work features on this recording, symbolising his unbreakable bond with the band and his determination to keep creating music despite health challenges.

The project resonated deeply with Ozzy and Sharon Osbourne, who both supported turning the track into a charity release. A press statement describes the single as a “monumental collaboration honouring the heavy metal icons Ozzy Osbourne and Black Sabbath,” uniting two of the genre’s most influential forces.

Frontman Rob Halford has spoken passionately about the experience of trading lines with Ozzy on the track, calling it a career milestone: “What is cool and what is kind of waiting in the wings is Ozzy singing with me, doing ‘War Pigs’ together. We’ve been able to do that, it’s there – we’re just going through the rigamarole of legal clearance.”

He continued: “Ozzy’s singing a line and then I’m singing a line, and Ozzy’s singing a line and I’m singing a line. It’s the first ever time in my entire life that I’ve been able to do a duet with Ozzy, and I’m so eternally grateful and blessed that I was able to do that.”

The track can now be downloaded on all major streaming platforms and can be accessed via the link here.

In case you missed it, MXDWN’s earlier coverage of the Black Sabbath ‘Back To The Beginning’ charity show for Parkinson’s can be read here.

Black Sabbath and Judas Priest have shared a close friendship spanning decades. Both heavy metal bands were founded in the ’60s, in Birmingham, widely considered to be the birthplace of the genre.  

And fittingly, Birmingham is where Black Sabbath’s final show ‘Back to the Beginning‘ is taking place, on 5th July at Villa Park stadium.  Proceeds from the show will be donated to local charities. Ozzy Osbourne comments: “It’s my time to go Back to the Beginning… time for me to give back to the place where I was born.” 

The bill is stocked with huge names in metal and rock, featuring performances from Metallica, Korn, Alice in Chains and Halestorm, as well as Slash and Duff McKagan from Guns N’ Roses and Billy Corgan of The Smashing Pumpkins.

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However, Judas Priest are playing a gig the same day in Hanover to celebrate German hard rock band Scorpions’ 60th anniversary. Halford says that this event was confirmed before Black Sabbath’s show was announced. 

In an interview with Metal Hammer, he details: “We’ve known this guy Ossy Hoppe – he’s like god in Germany for metal […] He came in to see me at one of our last shows and says, ‘Would you consider doing something really special and important? I’m putting on the Scorpions for their 60th anniversary, in their hometown. Would you work with the band?’ And I was just like, ‘Done! We’ve got no plans it’s all good.’” 

He later gets a call from Sharon Osbourne, telling him about the Villa Park show: “Suddenly I get this phone call [from Sharon Osbourne]: ‘Robbie, I know you’ve got this gig with Scorpions, but could you consider coming over to do a thing with Ozzy and the guys, he’d love to see you.’” 

Not wanting to cancel his commitment to Scorpions, but also eager to be present at Black Sabbath’s send-off, the two of them discussed solutions. Osbourne even offered to send a private jet, flying the band from Hanover to Birmingham in time: “My mind went to Phil Collins when he did Live Aid, where he got on the Concorde from London to Philadelphia to play two gigs in two places.”  

However, Halford decided it was too risky. “Even with a private plane, there’s a word called ‘technical’, where something could go wrong, or the weather that time of year could cause problems… I was absolutely gutted.” 

Although no current member of Judas Priest will be in attendance for Black Sabbath’s final farewell, former Priest guitarist K.K. Downing will be performing at the show. Halford adds: “All my mates are going to be there though, great bands and artists […] It’s a wonderful and epic moment for Sabbath and heavy metal – it re-emphasises that Birmingham is where metal came from.”

Read here for more about Black Sabbath’s ‘Back to the Beginning’ concert.

In a stripped-back and honest conversation with Hagar the now-73-year-old reminisced on his sobriety and how it transformed his perspective of live performances. Now admitting to drinking a hot lemon, honey and ginger drink to protect his voice during shows, he recalled his past reliance on alcohol and drugs to complete live shows. Not delving into the specifics, it can be assumed his reliance on substances can be partly a result of the rock and roll culture Judas Priest emerged within.

When discussing his drug use during shows, he reflected: “It kind of fills me with a little bit of regret and remorse. My performance as I hear it wasn’t greatly affected but mentally, I’m so happy to have left that place behind now.”

The heavy-metal legend went on reveal the experience of his first sober show with Judas Priest in New Mexico in 1986, he stated: “I was so euphoric, and I thought ‘man, I’ve been missing this for all of my life as a singer and a performer’”.

As the ‘Resurrection’ singer delves into these experiences, Judas Priest are gearing up for their forthcoming UK and European tour – the Shield of Pain Tour, celebrating 35 years of their 12^th studio album, ‘Painkiller’, and the release of their 2024 album ‘Invincible Shield’. The tour will feature two shows in the UK during July, including a show at Scarborough’s Open Air Theatre and one at London’s prestigious O2 Arena.

Friday 25th July 2025 @ London, The O2https://t.co/sf2LWBWz7s pic.twitter.com/f4Gg3xGXmb

— Judas Priest (@judaspriest) December 9, 2024

Hagar also asked the frontman about one of Judas Priest’s biggest albums, ‘British Steel’. The LP released in 1980, peaked at number 4 on the UK Official Albums Chart. Featuring some of their biggest hits ‘Breaking the Law’ and ‘Living After Midnight’, the album established the band as figureheads of modern heavy metal, a status which runs deep within their discography.

Halford suggested the group were unaware of the prominence of the LP during ‘British Steel’’s curation, however, he recalled the ease of constructing the record, confirming “the whole thing wrote itself”.

With no plans of retiring on the horizon, Halford highlighted Judas Priest’s means of creating a long and lasting legacy, which they plan to live up to on their upcoming tour. He said: “We’re having a good time and keep it simple and give people good memories. Our music will be living a long time after we’ve gone. And isn’t that the most beautiful thing you can imagine?”

As Halford remains as ready as ever for Judas Priest’s upcoming tour, fans can get tickets here.

]]> https://www.mxdwn.co.uk/news/rob-halford-reveals-all-on-sobriety-british-steel-and-judas-priests-legacy-ahead-of-european-tour/feed/ 0 https://www.mxdwn.co.uk/news/top-30-songs-of-2024-song-of-the-year/ https://www.mxdwn.co.uk/news/top-30-songs-of-2024-song-of-the-year/#comments Tue, 24 Dec 2024 11:40:58 +0000 http://www.mxdwn.co.uk/?p=104513 As we approach the end of 2024, there’s no better time to sit back during the dark winter nights and reminisce on the biggest songs to come out of the UK this year. The UK are renowned for being a cultural hub for music, responsible for some of the biggest and most notable names in the industry. From the introspective social commentaries from RAYE, Declan McKenna and The Cure to the high energy, empowering anthems from Charli xcx and Self Esteem; mxdwn UK’s ‘Top Songs Of 2024’ list has it all. This list was collated through the hard work of our writers to reflect mxdwn’s diverse audience. This year we were all living our respective Brat summers, autumns and winters, whilst the UK music scene inspired a cultural shift which will no doubt continue in 2025.

30. Wild Long Lie – Sam Fender 

Anticipating Fender’s upcoming album, ‘Wild Long Lie’ paints a familiar setting  in which the singer feels uncomfortable. With deep lyrics and a repeated chorus which really emphasises this uncomfortable feeling, it begs to be listened to on repeat.

- Francesca Chiari

29. Everything is romantic featuring Caroline Polachek – Charli xcx, Caroline Polachek

This collaboration reimagines the original with a fresh, introspective twist. Charli xcx, known for her ability to blend raw emotional depth with experimental sounds, uses this remix to emphasise the fleeting beauty in mundane experiences. Polachek’s ethereal vocals add a dreamlike quality, amplifying the song’s exploration of romanticism in everyday life.

The remix doesn’t simply revisit the original but reinvents it, showcasing Polachek’s talent for turning lyrics into atmospheric narratives. The toned down synths and meandering vocals of the track combined with the nattering observations infuse the song with the sense that the listener is eavesdropping on a phone call between friends. The intimacy is emphasised by the vultnerability of the central question: “Everything’s still romantic, right?” It encapsulates a longing for reassurance amid life’s unpredictability, a familiar feeling for everyone in their twenties. This partnership between two avant-garde artists pushing generic boundaries feels both spontaneous and deeply intentional, making the track a musical meditation on finding beauty in imperfection.

- Rosie Beveridge

28. BACKBONE – Chase & Status, Stormzy

This year saw electronic duo Chase & Status team up with Grime legend Stormzy to create their electrifying D’N’B single, ‘BACKBONE’. Chase & Status’ signature electronic style is elevated by Stormzy’s rap flow and thoughtful wordplay. The collaboration was highly anticipated and did not disappoint, given both act’s reputation of creating tracks with high-energy and danceability. The boldness of ‘BACKBONE’ earned the track a number one spot of the UK Singles Chart and was subsequently one of the biggest D’N’B tracks of the year. As the first time both acts have collaborated, the potential for a future collaboration remains high given the success of ‘BACKBONE’.

- Amy Maloney

27. A Slight Geometry – 65daysofstatic

‘A Slight Geometry’ is a masterclass in experimental composition, evoking a sense of futurism and abstraction that aligns with 65daysofstatic’s exploration of the intersection between technology and art. The title hints at an interplay of precision and fluidity, mirrored in the music’s structured yet unpredictable patterns. With no melodies, the track instead conveys emotion through intricate textures and dynamic shifts, creating a sense of tension and release. Hypnotic in its minimalist approach, the piece builds on repetitive motifs and overlapping rhythms, creating a sense of motion and depth. Pulsating synths and glitchy effects create an otherworldly atmosphere, while subtle guitar lines add a contrasting organic warmth, punctuated by strategic pauses. The absence of vocals and conventional structure allows the listener to interpret the piece freely, allowing for an individual connection to its abstract narrative. As the fourth track on 65daysofstatic’s ‘Utopian Frequencies’ album, ‘A Slight Geometry’ exemplifies their commitment to innovation. It pushes the boundaries of post-rock and experimental music, delivering an emotional and immersive experience through unconventional forms and soundscapes.

– Amira Duggin

26. Many Doors To Hell – Bruce Dickinson

Fans of old-school metal and Iron Maiden will enjoy this new offering from singer Bruce Dickinson’s latest album ‘The Mandrake Project‘. Slower than his group’s trademark galloping guitars and drums, ‘Many Doors to Hell’ turns up the hard rock theatrics with the iconic frontman’s vibrato vocals and incredible range on display. Pulling out all the stops, we get a downtempo breakdown, some shredding guitar and a classic rock pumping drum and riff moment before the last chorus. The lyrics that would probably have added to the “satanic panic” hysteria seem easy-going compared to today’s music. But there is some satisfying nostalgia in hearing someone belting dramatic poetry about the underworld over power chords.

- Hugh Williams 

25. ‘I Know’ – Trent Reznor, Atticus Ross

The release of Challengers in 2024 was a cinematic moment that resonated deeply with many people, not just for its compelling performances by Zendaya and Josh O’Connor but for its unforgettable score. When the film debuted in the UK on April 26th, it captivated viewers with how seamlessly the music elevated its storytelling and the track ‘I Know’ emerged as an unexpected standout, embodying a powerful sense of nostalgia. It’s a composition that lingers, bringing with it a flood of emotions and transporting listeners to a time and place they might not have realised they were yearning for. Challengers and its score perfectly capture moments that feel ordinary but grow more meaningful with time. It stands as a testament to how a well-crafted soundtrack can leave a profound and lasting impression, making the film and its music one of the year’s most poignant releases.

– Saskia Findlay

24. Under The Skin – Calva Louise

The multi-cultural British band, Calva Louise released their single ‘Under The Skin’ in April. The track is sonically hypnotic as it contemplates narratives of freedom. This was made a vocal point in the music video of ‘Under The Skin’ which exhibits a Sci-fi themed cinematic masterpiece through a conceptual storyline with characters and their counterparts. ‘Under The Skin’ obtains many melodic diversions showcasing Calva Louise’s talent in blurring genres. Although occupying the relentless aggression of stereotypical metal, ‘Under The Skin’ fuses electronic rhythms, a meticulous piano instrumental and powerfully executed vocals to create a piece which is distinctively Calva Louise.

– Amy Maloney

23. Everything and Nothing – SOFTPLAY

The alternative rock song ‘Everything and Nothing’ delves into themes of grief, loss, and rebirth, inspired by personal tragedies experienced by the band members. The track features a mandolin and violin, lending the song a folk-tinged sound reminiscent of nostalgic 90s tracks like ‘Losing My Religion’ by R.E.M.  The sombre, acoustic tone is complemented by raw, almost confessional vocal delivery, making the song feel intensely intimate. It’s an important track for 2024 as it stands as a reminder that heavier music can also be sonically creative, blending influences from other genres, and it can be personal as a healthy outlet for grief and anger.

- Ali Krausova

22. Big Man – Self Esteem, Moonchild Sanelly

Renowned for releasing empowering experimental-pop tracks, Self Esteem did not disappoint with the release of ‘Big Man’ featuring Moonchild Sanelly, back in June. The track features a punchy beat with arguably, one of the catchiest hooks of the summer. The lyrical repetition of “I’m a big man” refers to the song’s hypothetical man (whose perspective the song is written from) who supports their partner, champions women whilst being fully secure in his manhood. This ‘Big Man’ energy is exuded within the satirical wit of the track’s accompanying music video, which sees Self Esteem and Moonchild Sanelly take on stereotypically ‘feminine’ roles whilst appearing stereotypically ‘masculine’ in oversized suits – suggesting modern gender roles intersect components of femininity with masculinity and vice versa. The collaboration between the pair is electrifying, their confidence is enticing yet infectious – creating the perfect empowering track for listeners.

- Amy Maloney

21. One Hand Clapping – Paul McCartney, Wings

Taken from the album of the same name, ‘One Hand Clapping’ is perhaps the closest we’ll ever get to a Lennon-McCartney “sound” from the mid ’70s. Lennon famously wanted to return to the raw rock-and-roll roots of The Beatles’ early covers, while McCartney leaned toward experimental sounds like those on McCartney II. This track bridges those approaches, blending swampy blues-style bass with electric guitar and shimmering synths.

The album, recorded 50 years ago, was finally released officially this summer, though bootlegs have circulated for years. While some argue unreleased material from the past resurfaces only because it wasn’t good enough at the time, that’s far from the case here. The album offers a fascinating glimpse behind the scenes of a McCartney recording session. It’s an interesting contrast to the recent Lennon box set, ‘Mind Games: The Ultimate Collection’, which features six versions of the same songs—and don’t forget the £999 speaker sold alongside it.

- Lewis Pinto

20. My Fun – Suki Waterhouse

The upbeat and playful track ‘My Fun’ is about embracing joy and celebrating love, particularly finding a partner who appreciates your unique quirks and matches your sense of fun. With lyrics that touch on light-hearted and intimate moments, it encapsulates a carefree and adventurous spirit. Musically, it features a soulful groove, a strong bassline, and a catchy, vibrant melody.

There is a sense of hope that this song brings to its listeners, especially to those who know about Suki Waterhouse’s dating history. Suki reminds us that relationships should feel easy and fun as she has now found her perfect match. ‘My Fun’ was the perfect summer 2024 song that cheered you up by its purity and sweetness.

- Ali Krausova

19. A Starving Heart – My Dying Bride

The haunting ballad of despair, ‘A Starving Heart’, delves into longing and a burning, unfulfilled desire. With melancholic melodies and soul-crushing lyrics that create a dooming atmosphere, My Dying Bride narrate feelings of empathy, hopelessness and isolation in a truly career-defining song that is perhaps the highlight of their latest album ‘A Mortal Binding‘.

- Francesca Chiari

18. Blessed – Bashy, Skrapz, Haile

After furthering his acting career over the past decade with notable roles in Them, Black Cake, and of course Top Boy, UK grime/hip-hop legend Bashy made a long-awaited return to music with his new album ‘Being Poor Is Expensive’. ‘Blessed’ is a hooky highlight on the tracklist. On a record that collages different samples to colour its background, this track incorporates garage classic ‘Crazy Love’ by MJ Cole, slowed into an ethereal loop above deep sub bass and dancehall drums – underlining his adolescence in London during the 2000’s. He reminisces on his past, from “Harlesden to Hollywood Hills”, while meditating on a world where the odds are still stacked against his community, through drugs, poverty and violence – “here man will kill you for your watch, sign of the times”. Like the rest of the album, Bashy manages to tell personal anecdotes while weaving in bigger themes of British culture. Haile also provides a catchy chorus and Skrapz a solid feature verse with his nonchalant and deep delivery. Now with a few MOBO nominations for 2025, hopefully Bashy can claim some accolades for such a thoughtful, conceptual comeback.

- Hugh Williams

17. Rain – Wunderhorse 

Wunderhorse has been a standout band this year, with their music earning a prominent place among the top songs of 2024.Their gritty, raw sound immediately captivates listeners and their debut album, ‘Cub’, further highlights their talent and artistry.  However, this year saw the release of ‘Midas’ and among the tracks, ‘Rain’ emerged as a striking favourite. Its haunting quality, driven by Jacob Slater’s soulful voice paired with the atmospheric tone makes it feel cinematic. It’s a song that sticks with you, conjuring imagery of overcast skies and an immersive, melancholic vibe. ‘Rain’ perfectly sets the tone for the rest of the album and shows just how masterful Wunderhorse is at creating music that stays with you long after it ends. With 2025 on the horizon, Wunderhorse appears poised for even greater achievements, promising exciting developments ahead.

- Saskia Findlay

16. POP POP POP – IDLES

‘POP POP POP’ begins with the intriguing line “Freudenfreude,” a German term meaning “joy for someone else.” While often labeled punk, IDLES are impossible to truly place in a single category. The track blends together uplifting messages, atmospheric soundscapes reminiscent of Radiohead and Brian Eno, and a rhythmic drum beat akin to The Streets.

The stripped-back nature of the song makes it an outlier in 2024, relying on sustained, resonant chords and a driving drumbeat. Joe Talbot’s delivery is more spoken word than sung, creating an almost hypnotic mantra of positivity. It’s a bold statement of simplicity and substance in a world of overproduced sound and pretend punk.

- Lewis Pinto

15. Kool Aid – Bring Me The Horizon

As an energetic, bold track with provocative lyrics, Bring Me The Horizon’s ‘Kool Aid’ challenges and questions modern society, exploring difficult topics like self-destruction. The song presents both metal-like and electronic influences, expressing through its words and sounds the chaos that is life, inviting the listeners to embrace it.

- Francesca Chiari

14. Mood Swings – Little Simz

Little Simz excels in pushing boundaries within Hip Hop and this is no exception with ‘Mood Swings’, which became the introductory track for Simz’s 2024 EP ‘Drop 7’. The track showcases futuristic rap with its powerful production and perfectly conducted vocal. The amalgamation of vocal and instrumentation is impeccable, sonically personifying the very ‘Mood Swings’ Simz makes note of. The track’s utilisation of a synthesizer and dancehall drums give the track a flare of Afro-funk, which with the rapidly changing melodies alongside a seamless vocal delivery, pairs well with the track’s ever-changing direction – exhibiting an exquisite listening experience. Simz conveys an outward introspection which is enhanced by the breaks in vocal flow and instrumentation, ‘Mood Swings’ characterises the sporadic processes of navigating the complexities of living.

- Amy Maloney

13. Starburster – Fontaines D.C.

Through its integrational elements of the genres of art rock, trip hop and postpunk, Fontaines D.C. portray a dynamic and layered composition within ‘Starburster’. This fusion reflects the band’s willingness to experiment and push the boundaries of their genre after previously being labelled as a post-punk band predominantly. Lyrically, ‘Starbuster’ delves into the experience of a panic attack. The song captures the shock of trying to grasp reality amidst chaos, with repetitive phrases and breath sounds in the chorus adding an intimate and personal touch. ‘Starburster’ significantly influenced the music landscape of 2024 by inspiring other artists to explore diverse musical styles. The track’s success contributed to the broader recognition of Fontaines D.C. as a leading force in contemporary music, encouraging a resurgence of interest in art rock and post-punk influences.

- Ali Krausova

12. Humble As The Sun – Bob Vylan

In an opener to their new album that suits the smiling, flowery artwork, ‘Humble As The Sun’ feels like a blue sky breaking a new day – the group take their punky, distorted rock down a few notches, kicking off their album with churchy organs, atmospheric pianos and punchy, rolling hip hop drums. And what a way to start the record, with one of the most sincere, poignant, and charismatic opening verses of the year – invoking imagery of self-love, perseverance, and race in Britain, with a biting line lamenting the dying people “broke and hungry in the island of Jamaica, while someone at Island Records made a killing off the right tracks”. The instruments and vocals crescendo from a stripped-down start, each new section adding intensity until the beautiful gospel-esque outro, with Jerub passionately singing “Black man, shine” above a jungle inspired breakbeat. Taking on a different sound without sacrificing a shred of their consciousness and personality, here they provide an intro that’s unexpectedly soul-inspired, unapologetically black, and undeniably Bob Vylan.

- Hugh Williams

11. Crumbs Chaos & Lies – PIG

The bold combination of intense ferocity and sharp social commentary within ‘Crumbs Chaos & Lies’ makes it a stand out track in 2024 . Unlike many songs that adhere to mainstream rhythm and trends, this song challenges listeners with raw intensity, layered production, and an intent to confront truths about manipulation and the decaying of modern society represented in the lines, “You’re like a dog, You’re getting fed”. The track’s bold instrumentation is reminiscent of mid-1990s Prodigy, especially their ‘The Fat of the Land’ album, this comparison is no surprise given Jim Davies, responsible for some of the most sensational guitar riffs in Prodigy’s hit tracks, co-wrote ‘Crumbs Chaos & Lies’ alongside PIG. Its distinct fusion of harsh electronic textures and provocative lyrics sets it apart as a rare piece of art that is both musically innovative and thematically an urgent plea to listeners to really start becoming aware of the world around them.

- Saskia Findlay

10. Gas Me Up (Diligent) – Skepta

Throughout his career, Skepta has been a pioneer for UK grime, and his 2024 release ‘Gas Me Up (Diligent)’ exemplifies his ability to fuse the genre’s raw energy with mainstream appeal. By blending a classic grime beat with modern production techniques, the track highlights Skepta’s evolving artistry while staying rooted in the genre’s core. ‘Gas Me Up’ captures his relentless energy and versatile delivery, seamlessly switching between rapid-fire verses and more measured lines. Its thumping bassline and intricate rhythms drive the track forward, matched in intensity by Skepta’s forceful delivery. The dynamic progression mirrors its title, fueling a sense of momentum. The phrase “Gas Me Up” suggests boosting one’s ego, a recurring theme in the lyrics and grime culture, while also emphasising the importance of staying true to oneself, a hallmark of Skepta’s artistic identity. Intertwining UK slang and cultural reference, Skepta reinforces his connection to London and the grime scene. Skepta balances authenticity while adapting to broader audiences, ‘Gas Me Up’ reaffirms his position as a master of grime, pushing boundaries while staying true to the raw essence of grime.

– Amira Duggin

9. People Watching – Sam Fender

This year, Sam Fender ended a three-year silence with the release of new music, earning a well-deserved place among the top songs of the year. ‘People Watching’ serves as the perfect prelude to what promises to be an incredible 2025 for the talented Geordie. The song is heartbreakingly beautiful, showcasing Sam’s unmatched gift for writing lyrics that evoke deep emotion, paired with infectious melodies that are impossible not to sing along to. ‘People Watching’ is unmistakably Sam Fender, a bittersweet, deeply moving reflection on life as an observer, capturing the raw grief of seeing a loved one slipping away. As he gears up for an unforgettable stadium tour at St. James’ Park and London Stadium and a year of well-deserved recognition, the anticipation for this incredibly talented artist’s continued success is palpable.

- Saskia Findlay

8. Frantic Zero – Satan

The traditional heavy metal song ‘Frantic Zero’ from Satan’s 2024 album, ‘Songs in Crimson’, brings high energy, complex guitar riff structures and pounding drumbeats. The lyrics delve into themes of chaos, urgency, and existential dread, which mirror global uncertainties and anxieties. The song contributes to 2024’s growing interest in traditional and speed metal and influences the direction of the genre for the year. The album as a whole has been well-received, with reviewers highlighting the band’s ability to deliver fresh material while staying true to their roots. The song is a testament to the longevity of metal bands from the 1980s.

- Ali Krausova

7. Champagne – Declan McKenna

For many, leaving a major label signals challenging times ahead. Not for Declan McKenna. After spending November supporting Sabrina Carpenter on her ‘Short and Sweet’ tour across the US, McKenna is embracing his independent future. To celebrate, he released ‘Champagne’. This is McKenna’s first independent release since his breakout hit ‘Brazil’ in 2014. Announcing his departure from his label, he shared a mock newspaper front page that read: “The deal has come to its natural end. I agreed to make three albums, and I made three albums.” Currently touring in Australia, McKenna’s independent era is off to a bright start.

- Lewis Pinto

6. Alone – The Cure

In a triumphant return The Cure dropped a new album for the first time in 16 years this year. ‘Alone’ by The Cure, featured on their 2024 album ‘Songs of a Lost World‘, exemplifies the band’s mastery of existentially rich and atmospheric music.

The song is a haunting meditation on themes of transience and loss, reminiscent of their earlier works like ‘Disintegration‘ and ‘Faith‘. Opening with a treading tempo, ‘Alone’ layers lush textures with Roger O’Donnell’s delicate piano and Reeves Gabrels’ intricate guitar sounds, evoking a sense of celestial sorrow.

Robert Smith’s lyrics delve deeply into the fragility of human connection and the inevitability of loss, inspired in part by personal grief from the passing of his family members. The song captures a mature form of despair, contrasting the youthful anguish of Pornography. Lines like “to dream a boy and girl who dream the world is nothing but a dream” echo the ethereal melancholy of Edgar Allan Poe, blending literary and musical depth.

‘Alone’ is vital for its visceral emotional impact, it surely can take a place as one of The Cure’s most devastating and cathartic tracks to date. The song balances grandeur with subtle, intricate details, making it a standout addition to their discography.

- Rosie Beveridge 

5. The Serpent and The King – Judas Priest

As one of the most prominent heavy metal bands to come out of the UK, Judas Priest have continued to prove their prevalence within the genre through the release of their nineteenth album ‘Invincible Shield’. ‘The Serpent And The King’, the LP’s second track, captures Judas Priest’s usual relentless and fierce spirit. The sharpness of vocal delivery alongside its electrifying instrumentation exhibits the track’s theme perfectly. Judas Priest examine the power of opposites including: good vs evil, love vs hate, God vs the devil; and how good will always overcome bad, comparing such instances to our current times. ‘The Serpent and The King’’s differing sonic textures enable listeners to interpret Judas Priest’s ongoing legacy.

- Amy Maloney

4. Crystal Tears – Elmiene

Oxford-born soul artist Elmiene definitely knows how to get you “in the feels”. After a prolific run this year full of singles and EP’s, a firm favourite is slow ballad ‘Crystal Tears’. He’s clearly done his homework here, with a style that lifts the best elements from multiple eras, drawing upon vintage instrumentation, 90’s R&B group vocals and jazzy neo-soul chords within one track. This single from his EP ‘Any Way I Can‘ sounds like Donny Hathaway, Faith Evans and The Internet all smoothly rolled into one cohesive sound. His echoey falsetto and dreamy harmonies are plenty, while never sounding too busy. The vibraphone and Wah-guitar melodies are a real throwback to the love songs of the 70’s.

– Hugh Williams 

3. Genesis – RAYE

‘Genesis’ is a poignant, multi-layered composition that delves into personal struggles, societal challenges, and the quest for hope and healing. The song is divided into three acts, blending genres such as gospel, R&B, and jazz, with lyrics that transition from introspection to broader social commentary.

In the first part, Raye reflects on the impact of social media and self-doubt, grappling with feelings of inadequacy and negative self-perception. The second section shifts to an exploration of her self-destructive tendencies, depicting struggles with mental health and substance use. The third act broadens the perspective, paying tribute to societal contributors like healthcare workers and teachers, and advocating for justice and recognition of their efforts​.

The recurring plea, “Let there be light”, draws from the biblical book of Genesis, symbolizing a universal desire for clarity, positivity, and rebirth amid darkness.

‘Genesis’ is an important 2024 track as we look closer at our relationship with social media and the constant battle of comparing ourselves to others. The more we try to look better, the worse we get.

- Ali Krausova

2. Better Way To Live – KNEECAP

It’s been one hell of a breakout year for hip hop trio Kneecap, their 2024 album ‘Fine Art‘ has helped propel them from troublemakers to ground breakers with its prevalent use of Irish language and large pinch of anti-British sentiment that has underpinned their ethos since their conception in 2017. Although filled with brilliantly crass lyrics, ‘Better Way To Live’ at its heart meditates on life in such a way that humour becomes a coping mechanism, a way of addressing the heaviness of the song’s themes of class and ambition without succumbing to despair. There’s a deliberate roughness to the delivery of each word, especially in the verses, where Kneecap’s voices lean more into spoken word than melodic flow. It’s as if they’re letting the words tumble out unfiltered, emphasising authenticity over polish.

These voices run alongside a production that is understated but meticulously crafted, a sonic tapestry that mirrors the lyrical themes. There’s a hypnotic, looping quality to the beat, built around minimalist percussion and a haunting synth line that feels both meditative and restless. The rhythm mirrors the cyclical nature of the song’s narrative: the endless pursuit of relief or meaning.

Although the lyrical specifics are Irish, the sentiments—of longing, frustration, and fleeting joy—transcend borders. The song asks questions that anyone in a late-capitalist, post-pandemic world might recognise: How do you navigate a world where everything is ephemeral? And how do you keep going when it feels like answers are perpetually out of reach? In its raw, unvarnished honesty, it feels less like a piece of art and more like a conversation you’d have with a friend at the pub—after the third pint, when the words come easily, and you can put the world to rights.

- Rosie Beveridge

1. Guess – Charli xcx, Billie Eilish

Tracks from Charli xcx’s ‘Brat’ album have been talked about from nearly everyone this year, including the iconic release of ‘Guess’ featuring Billie Eilish. Although the collaboration between the two pop sensations was a surprise to fans, given the seamless arrangement of the track, it seems almost shocking the pair haven’t collaborated before. ‘Guess’ has powerful club-driven production infused with the charismatic lyricism of Charli and Eilish. The pair bounce off one another, revelling in their chemistry and explicitly owning every ounce of their sexuality.

The chart-topping track dwells on the reality of being a woman in the spotlight, and the self-awareness needed to successfully defy societal expectations. When the music video for ‘Guess’ was released, which features Eilish bulldozing into a party, strutting the streets and climbing a mountain of lingerie with Charli; it was later revealed the 10,000 unworn garments were donated to ‘I Support The Girls’, a US-based charity that provide underwear and period products to women experiencing domestic violence and hardship. ‘Guess’ captivates listeners with its provocative themes and enticing queer undertones, overtly displayed within Eilish’s verse – “Charli like boys, but she knows I’d hit it”. ‘Guess’ is a powerhouse delivered by two of the biggest names in pop and deservingly claims the top spot in our list for 2024.

- Amy Maloney 

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Judas Priests’ tour announcement came after the conclusion of their North American tour. This tour saw the Rock and Roll Hall of Famers perform tracks from their latest album ‘Invincible Shield’ with its tracks ‘Panic Attack’, ‘The Serpent and the King’ and ‘Gates of Hell’, along with other notable tracks from the group’s legendary discography.

Hailing from Birmingham, UK during the 1970s, Judas Priest have established a reputation amongst the heavy metal genre of being one of the greatest metal bands of all time. They have over 50 million album sales to their name and are considered the pioneers of new wave heavy metal within Britain. Their contribution to the genre has seen them have prominent influence in the heavy metal subgenres of speed metal, thrash metal and hard rock, particularly through their ascendence into the industry in the 1980s after the commercial and mainstream success of their sixth studio album, ‘British Steel’. With their title of ‘legends’ within the heavy metal community, Judas Priest continue to provide infectious heavy metal albums to their fans through their regular album releases and live renditions of their most iconic tracks.

In a social media post announcing the ‘Shield Of Pain’ Tour, the metal icons revealed their upcoming European gigs will feature a “rare” and “unique” set which will include “beloved classics” alongside live renditions of their latest album ‘Invincible Shield’, which will be a “truly memorable experience” for attendees.

SHIELD OF PAIN TOUR 2025 pic.twitter.com/nxmV0VO56j

— Judas Priest (@judaspriest) November 6, 2024

These ‘beloved classics’ will see considerable attention paid to ‘Painkiller’, their 12^th studio album, as it encounters its 35th anniversary. Judas Priest released their critically acclaimed album, ‘Painkiller’ on September 14, 1990. The album featured drummer Scott Travis’ first LP contributions to Judas Priest after the departure of Dave Holland. Along with the last album to feature vocal contributions from Rob Halford, the band’s lead vocalist, until his return in 2005 for ‘Angel of Retribution’. Its lead single of the same name was branded a quintessential Judas Priest track, as the album incorporated inclusions of speed metal, taking Judas Priest to their iconic original sonic form. This moved the band away from their slightly tamer LPs ‘Turbo’ and‘Ram It Down’, released in the late 1980s.

The announcement of Judas Priest’s 2025 tour will mark the bands continued success in heavy metal, which remains highly anticipated for fans of legendary heavy metal acts. Despite only having announced European dates, there is a high likelihood the Birmingham-formed band will announce UK and Ireland dates in due course.

The band Judas Priest is set to release their nineteenth studio album, Invincible Shield, on March 8, 2024, under the label Epic Records. The album was produced by Andy Sneap, the band’s touring guitarist, who also produced their 2018 album, Firepower. Fan’s have been given the opportunity to pre order the new album here.

The album promises to deliver the classic ’70s metal sound. In a recent interview with Audio Ink Radio,  Richard Faulkner expressed his excitement about the album’s nostalgic vibe, stating that it embraces the influence of ’70s Priest. He said, “This album was a bit more 70’s Priest, which I welcome as a guitar player.”

Describing the album as somewhat progressive, Faulkner revealed that it deviates from the traditional verse-chorus structure and incorporates more musical parts. This experimentation showcases the band’s willingness to push boundaries and explore new territories. Faulkner adds, “It’s ’70s Priest, but it’s not a retro album, by any means. It’s the influence of ’70s Priest in the progressive sense, but it sounds like Priest in 2023. It’s also a bit progressive in that it’s not verse-chorus-verse-chorus-solo-chorus-finish. It’s musical part-verse-musical part.”

Rob Halford, the legendary frontman of the heavy metal band, recently took to social media to announce the release of their new single “Trial by Fire“. In his post, Halford expressed his excitement about the new release and that he hoped fans would “dig it.” He said to fans, “We hope you dig it, oh yeah!”

TRIAL BY FIRE. OUT NOW. https://t.co/nZiIWE7RF6 pic.twitter.com/0tqJxngqMb

— Judas Priest (@judaspriest) November 19, 2023

Fans expressed their support and delight by commenting and tweeting, with one fan leaving a comment, “Love this! thank you for posting and letting the world know that you are still awesome and the DON of metal! I will be tuning in swiftly!!”

Love this! thank you for posting and letting the world know that you are still awesome and the DON of metal! I will be tuning in swiftly!!

—(@KRANIUS) November 19, 2023

Originating from Birmingham in 1969, this band has achieved a remarkable feat of selling over 50 million albums and is often regarded as one of the most legendary metal bands in history. In May 2022, the Rock and Roll Hall of Fame committee announced that the band had been chosen to join the 2022 inductee class and receive the “Award for Musical Excellence”.

Judas Priest’s 2024 Tour Dates. Purchase UK Tour tickets here.

11/03/24 – OVO Hydro – Glasgow
13/03– First Direct Arena – Leeds
15/03 – 3 Arena – Dublin, Ireland
17/03 – International Centre – Bournemouth
19/03 – Resorts World Arena Birmingham
21/03 – OVO Arena Wembley – London

Despite the parallels, a new sense of creativity and desire to make music was rekindled in Downing who, speaking on Loudwire’s podcast Loudwire Nights, said, “I’ve never been a religious person, but as a juvenile delinquent when I was young, I did find music and it put me on a good path. It was a righteous path because it gave me a goal. It gave me motivation in life and it became my salvation because I was in fear of going off the rails.”

Downing simply never envisioned having to make the decision to write and record new music with a different band other than Judas Priest. Downing continued, “I was loyal and devoted and dedicated. I never went anywhere else — my whole life was Judas Priest … I always thought I’d step back into Judas Priest, but that opportunity is not there. I asked if it was there before I started [KK’s Priest] and they said, ‘No, the door is closed.’ It is what it is.”

Downing cited multiple reasons for leaving Judas Priest, the band he had been a member of since its inception in 1969, which included a persistent breakdown in the relationship within various elements of the band. After Glenn Tipton was forced to leave the group due to health issues, Downing felt the opportunity to re-join Judas Priest was wide open, but the band never approached him and the chance never materialised.

Although Downing is not a member of Judas Priest anymore and feelings between the two camps may be slightly less than amicable, the guitarist has stated that he feels the band will always be an integral part of who he is and a driving force behind the music he continues to create.

K K’s Priest’s The Sinner Rides Again was released on 29 September and can be purchased here.

The band will be accepting the Award for Musical Excellence at this year’s award ceremony in November in Los Angeles. The category was established in 2000 as the “Sideman” award, with artists such as Chet Atkins and King Curtis winning it before it changed its name to the Award for Musical Excellence 10 years later.

At the time of the categories’ name change, Rock & Roll Hall of Fame Foundation chief Joel Peresman told the Plain Dealer that the category “gives us flexibility to dive into some things and recognize some people who might not ordinarily get recognized.”

The website for the awards states, “The Award for Musical Excellence shall be given to artists, musicians, songwriters and producers whose originality and influence creating music have had a dramatic impact on music.” The winners are chosen by a different committee to the Hall’s main voting body, there is also no limit to the number of artists who can receive the award and it is not required to be given out every year.

When asked about how he felt about receiving The Musical Excellence Award this year, Halford said, “Why haven’t they given us the same title as all of our friends. Black Sabbath, for example. There’s a different tag, isn’t there?” Pressed on the matter, he said, “Well, yeah, I was pissed. I was a bit pissed. At the end of the day, does it matter?”

Halford continued, “Some days, I go, ‘No, it doesn’t matter. We’re in the Rock and Roll Hall of Fame. Be grateful. Shut the hell up. ‘And then there are other days where I’m like, ‘God damn, why did they give us the Musical Excellence Award?’ Because it sounds very, you know, grandiose. ‘The Musical Excellence Award, reserved for blah, blah, blah.’”

He finished the interview by saying, “and on the other side, it’s like, ‘Great. Everybody else got that and we got shafted with this.’ Judas Priest are still the Rodney Dangerfield of heavy metal. They can’t get no respect.”

Judas Priest formed in Birmingham in 1969 often ranking among the top metal bands of all time, their albums selling more than 50 million copies worldwide. Despite a body of inventive and pioneering work in the latter part of the 1970s, the band didn’t achieve significant commercial success until 1980, with their album British Steel reaching number four on the UK charts. Watch the official video for “Breaking the Law” from their album British Steel below.

UK Tour dates Jan/Feb 2020

See https://t.co/lgBNh6Xxej for ticket links pic.twitter.com/E5cBv0vGDL

— Judas Priest (@judaspriest) September 9, 2019

You can catch Judas Priest on tour in the UK in 2023 on Ozzy Osbourne’s 2020 rescheduled No More Tours 2, tickets are available here.

31/05/2023 – Nottingham Motorpoint Arena – Nottingham
02/06 – Utilita Arena Newcastle – Newcastle Upon Tyne
04/06 – OVO Hydro – Glasgow
07/06 – AO Arena – Manchester
10/06 – 3Arena – Dublin
12/06 – The O2 – London
14/06 – Resorts World Arena – Birmingham

The band’s statement said that “We are chomping at the British Steel bit to return to World touring….celebrating 50 Years of Judas Priest as an even more powerful, relentless four piece Heavy Metal band“. It seems the split is amicable, with them following this up by wishing a “Big thanks to Andy for all you’ve done” and noting that he would continue “ to be in the production team for our new album“. On the bright side, Tipton is expected back on a few occasions, “with Glenn coming out on stage with us here and there as before“.

Hello Maniacs!

We are chomping at the British Steel bit to return to World touring….celebrating 50 Years of Judas Priest as an even more powerful, relentless four piece Heavy Metal band – with Glenn coming out on stage with us here and there as before…..!!

1/2 pic.twitter.com/CVNA7pIg3n

— Judas Priest (@judaspriest) January 11, 2022

Big thanks to Andy for all you’ve done and continuing to be in the production team for our new album…. See you all soon headbangers! 2/2 — Judas Priest (@judaspriest) January 11, 2022

Also, guitarist Richie Faulkner will be returning with the group, after suffering an acute cardiac aortic dissection last year during a performance at Kentucky’s Louder Than Life festival. After a ten-hour surgery, Faulkner seems to be back in good shape, saying at the time that he was “feeling very strong and positive“, and that he’d “be back on stage in no time! My surgeons are very pleased with my progress and have all reserved front row tickets for the next Priest show haha”.

Apparently, some fans were hoping Sneap would be replaced by previous Judas Priest member K.K. Downing, who left back in 2011 after forty years with the group. However, Downing has said last year that, after Tipton’s Parkinson’s diagnosis was made public, he expected to get a call from the band, but received nothing. It seems that, in his words, “the door is closed” now.

Sneap was of course disappointed by the news himself. He was apparently told by a phone call last week, and says that he found it “incredibly disappointing after this amount of time“, but that he respects it, “as they obviously have a vision how they want this to play out. This always was a temporary situation … I’ll always help the band any way I can, and that applies going forward also”.

If you’re interested in seeing Judas Priest play in America and Europe later this year, you can look into getting tickets here. Unfortunately, you’ll have to wait over a year before they come to the UK, with them supporting Ozzy Osbourne in his No More Tours 2 tour in May 2023.