The 13-track album comes as a follow-up to Avery’s 2022’s critically acclaimed album, ‘Ultra Truth’, and is said to be a mixture of electronic styles: ambient, shoegaze, industrial, and techno, all blended in his signature experimental style, according to The Quietus.

Avery also described Tremor as “the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey. The warmth of distortion, the stillness inside intensity, the transcendental beauty of noise.”

The first single from the new record, ‘Rapture In Blue’, features vocals by Cecile Believe, which is the alias of Los Angeles singer and producer Caila Thompson-Hannant. 

Cecile Believe isn’t the only collaborator on ‘Tremor’; Yeule and yunè pinku also feature as vocalists on the album. The presence of these artists marks Avery’s expansion beyond club techno into more vocal-driven, emotional territory.

Domino Records has ‘Tremor’ set for release on October 31, 2025. Until then, “Rapture in Blue” is out now, offering listeners a glimpse into what the new record has to offer. The album is Avery’s first release on the iconic label after a stretch on London label, Phantasy.

Avery is set to go on tour at the end of the year, but kicked off with a special afterparty event at Concorde 2 in Brighton on July 18. This show, linked to the On The Beach festival, offered fans a chance to see Avery bring his immersive electronic sound to an intimate seaside venue. 

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The next major date on Avery’s schedule is October 31, 2025, when he headlines New Century Hall in Manchester. Set to take place on Halloween night, this solo live show is anticipated to showcase material from ‘Tremor’ and highlight his signature blend of techno, ambient, and industrial styles.

The tour is notable not only for its relatively intimate venues, but also for its artistic curation—blending his usual club energy with the atmosphere of alternative gig spaces.

More information on the new album and tickets for Avery’s upcoming tour are available here.

Luke Huxham of Broadwick Live has given the following statement concerning the festival’s birthday, “We always wanted our 15th anniversary to be our best ever, and it was incredible to celebrate this milestone with so many people in our spiritual home of Victoria Park. Connecting the best artists in the world, both living icons and meteoric talent, with passionate audiences through the power of live music is why we love what we do.”

Over the years, All Points East’s Field Day has evolved into an event committed to Dance and electronic music. This year’s Field Day lineup further confirmed such a reputation when pioneering groups Chemical Brothers and Kraftwerk 3D took to the London stage. German masters of the electronic genre, Kraftwerk were first to take the stage at Victoria Park. Their Field Day show was one of the concluding performances of their 3D tour and saw the duo bring their unique brand of dance music and kaleidoscopic visuals to the capital. Their set included many of the group’s beloved hits including “Trans-Europe Express”, “The Model” and “Tour De France”.

Set times for the East Stage today at @fielddaylondon – we’ll see you there! #chemicalbrotherslive pic.twitter.com/KWT0NpdwWA

— The Chemical Brothers (@ChemBros) August 20, 2022

Billed to close this year’s Field Day was The Chemical Brothers, the English dance-electronic outfit made sure to pull out all the stops within their set. Their headlining performance was packed with hit singles such as “Galvanise”, “Swoon” and “Star Guitar”. Speaking on the group’s set, CEO and Field Day organiser Gareth Cooper has stated, “That was bigger and better than anything London has seen or heard this year. The Chemical Brothers’ unmissable live set shows why no act has had a bigger impact in UK electronic music, both here and internationally. The Chemical Brothers really showed London how it’s done!”

During the day, those in attendance were treated to a long list of artists who performed across the six stages. Also billed to appear at yesterday’s event were Peggy Gou, Bklava, CICI, Daniel Avery, Eliza Rose, Erol Alkan, a DJ set by Fjaak, Floating Points, Emerald B2B Jossy Mitsu, Helena Star, Kareem Ali, Logic 1000, Luxe and Mary Anne Hobbs.

Though separate tracks, the two records work harmoniously to create all-encompassing soundscape. ‘Into The Voice Of Stillness’ is soothing and subtle, using a blend of electronic sounds and samples of conversations to create it’s ethereal atmosphere On the other hand, ‘Petrol Blue’ uses hard hitting beats, and walls of synths to fully immerse the listener in its depth, creating the sense of complete solitude. When paired together, the tracks create a world that is unknown, but wholly inviting, with a feeling of calmness carrying throughout the records. Avery blames the otherworldly aura of his tracks on the cosmos that inspired them; the unknown nature of the ocean.

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“Petrol Blue” was written in a studio at the very edge of the country. The views across the water without a single sight on the horizon always create a certain atmosphere in my mind, some kind of unknowing warmth. Real life seems pretty distant in those moments.”  Avery stated in a recent Instagram post. “The track came about quickly, in the space of a few hours, and filled the room immediately. It’s named after my own little space down by the water that continues to be its own escape and a constant source of creativity. I owe my life to that metal box right now.”

The artist continued the interview by commenting on the other tracks meaning. “…included here is an alternative version of ‘Into The Arms Of Stillness’, the voice recounting the joy of when that first strobe light enters your soul,” He stated. “We’ll be back to that place before we know it.” Alongside the two tracks, the artists will also release a vinyl version of his ‘Love+Light’ album this week, dropping on the 27^th November. The artist also plans to release a 12-inch vinyl of the two new tracks early next year, with all proceeds being donated to Amesty International.

You can listen to ‘Into the Voice Of Stillness’ and ‘Petrol Blue’ below.