In a press release, the band spoke about the release of their remix album: “So grateful that some of our favourite contemporary artists and friends were up for doing this with us x,”

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The release, aptly named ‘This Could Be A Remix Album’, features different bands covering tracks from English Teacher’s acclaimed debut studio album. ‘This Could Be Texas’ was released in April 2024 through Island Records and was met with critical acclaim.

 The Line of Best Fit said that the ‘This Could Be Texas’ “could be one of the finest debuts of the decade, with every band member shining in their ability and craftsmanship”. Similarly, DIY called it an album that unfurls itself with each listen; it is neither easily categorised nor, you suspect, written with quickly-digestible earworms in mind.”

The full tracklisting for ‘This Could Be A Remix Album’ is:

1. ‘Albatross’ (Bug Teeth Remix)
   2. ‘The World’s Biggest Paving Slab’ (Daniel Avery Remix)
   3. ‘Broken Biscuits’ (Lewis Whiting Remix)
   4. ‘I’m Not Crying, You’re Crying’ (Water From Your Eyes Remix)
   5. ‘Mastermind Specialism’ (Sherelle’s 160 Steps To Enlightenment Mix)
   6. ‘This Could Be Texas’ (Baxter Dury Remix)
   7. ‘Not Everybody Gets To Go To Space’ (Working Men’s Club Remix)
   8. ‘R&B’ (Max Cooper Remix)
   9. ‘Nearly Daffodils’ (Matt Maltese Rework)
   10. ‘Best Tears Of Your Life’ (FDC DJs Remix)
   11. ‘You Blister My Paint’ (Silver Gore Remix)
   12. ‘Sideboob’ (TAAHLIAHRemix)
   13. ‘Albert Road’ (Blossom Calderone Rework)

This news comes ahead of the band’s UK tour which starts next month. A full list of tour dates can be accessed here and the tickets can be accessed here.

For decades, ‘War Pigs’ has been an integral part of Judas Priest’s live shows, often serving as their walk-out song before they hit the stage. Its dark, anti-war message and thunderous riffs set the tone for the band’s high-octane performances, making the song a fitting anthem for their legacy in heavy metal. Now, rather than just using it as their dramatic introduction, Priest have recorded their own definitive version- made even more powerful with the voice of the man who first brought it to the world.

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The collaboration carries special weight due to guitarist Glenn Tipton’s ongoing battle with Parkinson’s disease. Tipton revealed his diagnosis in 2018, stepping back from touring but continuing to contribute in the studio. His guitar work features on this recording, symbolising his unbreakable bond with the band and his determination to keep creating music despite health challenges.

The project resonated deeply with Ozzy and Sharon Osbourne, who both supported turning the track into a charity release. A press statement describes the single as a “monumental collaboration honouring the heavy metal icons Ozzy Osbourne and Black Sabbath,” uniting two of the genre’s most influential forces.

Frontman Rob Halford has spoken passionately about the experience of trading lines with Ozzy on the track, calling it a career milestone: “What is cool and what is kind of waiting in the wings is Ozzy singing with me, doing ‘War Pigs’ together. We’ve been able to do that, it’s there – we’re just going through the rigamarole of legal clearance.”

He continued: “Ozzy’s singing a line and then I’m singing a line, and Ozzy’s singing a line and I’m singing a line. It’s the first ever time in my entire life that I’ve been able to do a duet with Ozzy, and I’m so eternally grateful and blessed that I was able to do that.”

The track can now be downloaded on all major streaming platforms and can be accessed via the link here.

In case you missed it, MXDWN’s earlier coverage of the Black Sabbath ‘Back To The Beginning’ charity show for Parkinson’s can be read here.

The announcement follows last week’s unveiling of the band’s 2026 European stadium tour, which hinted at a landmark UK date. The Knebworth show marks Iron Maiden’s return to the historic Hertfordshire venue, famed for hosting career-defining performances from Led Zeppelin, Pink Floyd, Queen and The Rolling Stones.

The event is set to run across the weekend, with proceedings beginning on Friday, July 10, for fans holding camping tickets. Alongside the live music, the site will host the largest-ever Eddie’s Dive Bar, Iron Maiden-themed food, and specially curated stalls designed to immerse fans in what the band describe as “Maiden World.”

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Manager Rod Smallwood said the decision to stage the event at Knebworth was driven by fan demand and the desire to deliver a unique experience. “We knew that we had to bring the ‘Run For Your Lives’ show back to the UK again next summer as there was such a phenomenal demand for tickets this year,” he explained.

“But we wanted to do something a bit different, especially as it would be hard to top the show at London Stadium. Knebworth is the solution. It’s a legendary venue and gives us the space and control to create something very special for our fans.”

Smallwood also referenced Iron Maiden’s previous history at the site, recalling their headline appearances at Sonisphere Festival and Bruce Dickinson’s aerial dogfight display in a Fokker triplane to mark the World War I centenary. “This time, we will be taking over the whole of the grounds ourselves and turning it into as much of a ‘Maiden World’ as we can,” he added.

The Darkness frontman Justin Hawkins expressed his excitement at joining the bill. “We’re thrilled to announce that The Darkness are to appear live in support of the legendary Iron Maiden at Knebworth,” he said. “Iron Maiden are among our favourite all-time bands.”

Tickets go on sale at 10am on Saturday, September 27 and can be accessed via the link here.

According to The Independent, the former US president and the first lady are due to arrive in the UK today (Tuesday, September 16). Their itinerary begins at Windsor Castle, where they will be hosted by King Charles and given a ceremonial welcome. On Thursday, September 18, they are scheduled to visit Prime Minister Sir Keir Starmer and his wife at Chequers, the official country residence in Buckinghamshire.

The trip has sparked widespread backlash, with a series of protests organised throughout the week. The Stop Trump Coalition will demonstrate on Windsor High Street this evening, while Wednesday, September 17, will see a large-scale march through central London, culminating in a mass rally at Parliament Square.

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Among those throwing their weight behind the protests is Billy Bragg, who took to social media to promote the central London gathering and explain why he believes the visit represents a “humiliation” for the UK. Sharing a poster for the ‘National Demonstration Against Trump’s State Visit,’ he urged people to assemble tomorrow at Portland Place at 2pm before joining the rally at 5pm.

In his caption, Bragg wrote: “Donald Trump’s visit to the UK this week is a moment of national humiliation. He will regard the red carpet rolled out for him as an act of fealty that gives him the right to punish the UK should we do anything that displeases him.”

 

 

 

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He continued: “Sucking up to bullies never pays off. They sense weakness and revel in exploiting it. This Wednesday, we have a chance to show not just that Trump is not welcome, but also that we reject the Trumpification of UK politics. I’ll be playing some songs at the Stop Trump rally in Parliament Square. Hope to see you there.”

Bragg has long been a prominent voice in British politics, frequently using his platform to engage with social and political issues. He was outspoken in his criticism of the Conservative Party during the 2024 general election and earlier this year released the single ‘Hundred Year Hunger’, expressing solidarity with Palestine and voicing support for Irish rap group Kneecap.

As Trump’s visit draws protestors to the streets, Bragg’s involvement underscores the enduring role of music and cultural figures in amplifying dissent. His presence at the rally not only reinforces his reputation as an artist-activist but also highlights the wider resistance among many in the UK who are determined to show Trump is not welcome.

The news comes exactly fifty years following the release of the original album, which debuted on September 12 1975. ‘Wish You Were Here 50’ is due to arrive on December 12 as a deluxe box set. Fans will also be able to hear the new version on digital platforms, and own it on 3LP, 2CD and Blu-ray.

The forthcoming reissue offers “an exciting new perspective into one of Pink Floyd’s most iconic and best-loved records” as publicised on a recent press release. The anniversary edition features six previously unreleased alternate versions and demos.

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It also includes 25 bonus tracks made up of nine studio rarities, and 16 live recordings captured by the renowned bootlegger Mike Millard at Pink Floyd’s Los Angeles Sports Arena concert on April 26, 1975. The live audio has been meticulously restored and remastered by Steven Wilson. Elsewhere, the Blu-ray edition gives fans the chance to watch three live screen films from the band’s 1975 tour, as well as a Storm Thorgerson short film.

Alongside the collection are exclusive collectable merchandise including refillable lighters, tshirts and a stage crew jacket.

To celebrate the announcement of the album reissue, Pink Floyd have shared a previously unreleased and unheard early demo recording of ‘Welcome To The Machine’. The earlier demo displays the same atmospheric ambience that Pink Floyd became so recognisable for but also shows how far the track developed from the original demo.

Fifty years on, the album’s sound is as resonant, important, and emotionally charged as ever. The anniversary edition features timeless tracks which remain cornerstones of rock history. The anniversary edition offers a comprehensive delve into the defining moment in Pink Floyd’s creative journey.

The 50^th anniversary edition of ‘Wish You Were Here’ can be pre-ordered at the link here.

The David Bowie Centre for the Study of Performing Arts will open its doors on September 13, showcasing more than 90,000 items from the late artist’s career. The collection – drawn from the David Bowie Estate and acquired with support from the Blavatnik Family Foundation and Warner Music Group – promises to trace Bowie’s creative processes as a musical innovator, cultural icon, and relentless advocate for reinvention.

Alongside stage costumes, handwritten lyrics and personal artefacts, archivists have discovered a note headed “Memo for radio show – list of favourite records”. The document reveals a selection of tracks that inspired and influenced Bowie, ranging from classical works to rock ’n’ roll, avant-garde and punk.

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The list includes Alan Freed and His Rock ’N’ Roll Band’s ‘Right Now Right Now’, Jeff Beck’s ‘Beck’s Bolero’, and Little Richard’s ‘True Fine Mama’. Bowie also singled out The Beatles’ ‘Across The Universe’ – a track he later covered on his 1975 album ‘Young Americans’. Other favourites include Roxy Music’s ‘Mother of Pearl’, The Walker Brothers’ brooding ‘The Electrician’, and ‘Tom Violence’ by Sonic Youth.

The full list reads:

• Ralph Vaughan Williams – ‘Fantasia on a Theme by Thomas Tallis’
• Richard Strauss – ‘Four Last Songs’
• Alan Freed and His Rock ’N’ Roll Band – ‘Right Now Right Now’
• Little Richard – ‘True Fine Mama’
• The Hollywood Argyles – ‘Sho Know a Lot About Love’
• Miles Davis – ‘Some Day My Prince Will Come’
• Charles Mingus – ‘Ecclusiastics’
• Jeff Beck – ‘Beck’s Bolero’
• Legendary Stardust Cowboy – ‘I Took a Trip on a Gemini Spaceship’
• The Beatles – ‘Across the Universe’
• Ronnie Spector – ‘Try Some, Buy Some’
• Roxy Music – ‘Mother of Pearl’
• Edgar Froese – ‘Epsilon in Malaysian Pale’
• The Walker Brothers – ‘The Electrician’
• Sonic Youth – ‘Tom Violence’

Archivists also uncovered a handwritten list of Bowie’s “ins” and “outs” from 1995. Among the “ins” were “chaos surfing”, “no tidy endings” and “David Bowie”, while the “outs” included “religion”, “irony”, “your 15 minutes” and, intriguingly, “David Bowie” once again.

The documents were found in a room Bowie kept locked and accessible only to himself and his personal assistant. Left untouched until now, they will join the wider collection when the David Bowie Centre opens to the public later this month.

The track, unveiled today, showcases the band’s uncompromising sound and lyrical intensity. The song brims with distortion and urgency. ‘”Erasure’ is a chaotic mash of genres, an unwavering cry into the void in the face of imperialism and tyranny,” frontman Dan Hoff said of the new single in a press release.

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The single reunites the band with Alex Greaves, who produced ‘Come And See’, while mixing duties were handled by Pelle Gunnerfeldt. To accompany the track, Gurriers have also shared a stark new video directed by Adam Hart – who previously worked with them on ‘Top Of The Bill’. Set inside the offices of a sinister security agency, the clip mirrors the track’s dark themes of surveillance and control.

‘Erasure’ arrives ahead of a busy run of live dates for the band. Next Thursday (September 18), Gurriers will open for Kneecap at London’s Wembley Arena – their biggest UK show to date. From there, the band will embark on a headline tour across the UK in October, with stops in Glasgow, Leeds, Cardiff, Birmingham, Bristol, Margate, Portsmouth, Oxford and Cambridge.

The tour continues into Europe before Gurriers return home for a packed run of Irish dates. They’ll play Cork’s Cyprus Avenue on December 18, followed by two sold-out shows at Dublin’s Button Factory (December 19–20) and a Belfast date at Limelight on December 21. Looking further ahead, the band are set to launch their first-ever North American tour in March 2026.

Since the release of ‘Come And See’, Gurriers have established themselves as one of Ireland’s most electrifying new bands, known for their frenetic live shows and politically charged songwriting. ‘Erasure’ marks the beginning of their next chapter – one that seems destined to take their raw and restless energy to bigger stages around the world. ‘Erasure’ is out now across all streaming platforms and can be accessed here.  

 

 

 

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Gurriers’ 2025 UK and Ireland tour dates are:

SEPTEMBER
18 – OVO Wembley Arena, London (supporting Kneecap)

OCTOBER
16 – Arts School, Glasgow
17 – Brudenell Social Club, Leeds
18 – SWN Festival, Cardiff
18 – Future Days Festival, Birmingham
21 – Strange Brew, Bristol
22 – Where Else?, Margate
23 – Wedgewood Rooms, Portsmouth
24 – O2 Academy, Oxford
25 – MASH, Cambridge

DECEMBER
18 – Cyprus Avenue, Cork
19 – Button Factory, Dublin
20 – Button Factory, Dublin
21 – Limelight, Belfast

The band – fronted by Gene Gallagher with Ben Taylor on guitar and Jack Schiavo on bass – came together by chance in the summer of 2023. What began as an encounter quickly grew into a shared mission: to revive the harder edge of rock music.

“It was a genuine passion and drive to bring back rock music again,” Taylor told NME. “Bands have been in the culture lately, but it was indie rock for a long time. Then it plateaued into an almost ‘pop’ band-y culture. We wanted to bring something back.”

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That ethos has driven Villanelle’s rapid rise on the live circuit. Despite not releasing any music to date, the trio capped off 2023 with a sold-out UK headline tour on word-of-mouth alone. Earlier last year, they secured a coveted slot supporting Gene’s father Liam Gallagher on his ‘Definitely Maybe’ 30th anniversary shows.

Now, Villanelle are ready to introduce their sound to the world with ‘Hinge’. Described by the band as a ferocious collision of lo-fi grunge and arena-ready swagger, the track nods to the raw energy of Nirvana while channelling punk rock urgency.

“It’s just all heavy guitars,” Gallagher explained. “That’s my favourite tone of any song: just really chuggy chords and really fucking distorted. All my favourite songs are like that – very punk rock. ‘Hinge’is a proper right-hook of a song.”

The single’s arrival marks a significant milestone for the group, who have so far relied on live shows to build their reputation. With a UK tour announcement set to coincide with the release, Villanelle are poised to translate their live energy into a new chapter defined by original material.

As anticipation builds, ‘Hinge’ will serve as the first glimpse into what Villanelle have been crafting behind the scenes – a band intent on bringing back grit, volume and attitude to the UK rock landscape.

‘Hinge’is released Wednesday, September 10, with details of Villanelle’s forthcoming UK tour also due the same day. The single can be preordered here. Based on the anticipation of the band so far, it seems Villanelle have an exciting musical career ahead and fans should stay tuned for potential future releases.

The stage, positioned next to the main arena, is part of the MVT’s effort to give grassroots acts exposure at some of the UK’s biggest shows. Coldplay, who brought their ‘Music of the Spheres’ world tour to Wembley earlier this month, have partnered with the organisation throughout their 10-date residency at the stadium. Ten per cent of ticket proceeds from the run are being donated directly to the MVT, which supports small venues across the country.

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Speaking about the experience, vocalist and guitarist Issy Cartlidge highlighted the shared importance of grassroots venues to both emerging artists and global stars. She said from the stage: “Whether it’s Coldplay or The Molotovs, one thing almost all bands have in common is that they developed their craft, and their audience, playing at grassroots venues up and down the country,” she said.

“While Coldplay started out at the likes of the Falcon and the Bull & Gate, we played the likes of The Half Moon, The 100 Club and Spice of Life – where we still host a weekly music night, Incendiary, with some of London’s best young guitar bands. Another thing we have in common is that we are music fans, and without these venues we wouldn’t get to see amazing artists in action.”

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Formed by siblings Matthew and Issy Cartlidge, The Molotovs have established themselves as one of the UK’s hardest-working young bands, playing more than 600 shows despite still being in their teens. Their reputation has earned them high-profile support slots, most recently opening for the Sex Pistols. They will join the punk icons once again on their upcoming North American tour, beginning September 16 at the Longhorn Ballroom in Dallas, Texas.

Coldplay’s partnership with the MVT comes amid growing concern over the future of small venues. The organisation has warned that one grassroots space is closing every two weeks, describing the situation as a potential “collapse of touring” for emerging artists. For years, the MVT has campaigned for a mandatory £1 levy on arena and stadium tickets to be reinvested in the grassroots sector, a move it argues is essential to sustain the pipeline of talent that feeds into the wider music industry.

By spotlighting acts like The Molotovs at Wembley, the collaboration highlights the vital role smaller stages continue to play in shaping the next generation of headliners.

In case you missed it, MXDWNs earlier coverage of Only The Poets announcing the £1 levy for their 02 academy Brixton show can be read here.

Titled the ‘Somersault Slide 360’ tour, the run will see the band – Adrianne Lenker, Buck Meek and James Krivchenia – play some of the largest headline venues of their career.

The tour will open in London with a three-night residency at the O2 Academy Brixton on April 23, 24 and 25. Further UK and Ireland dates include Dublin’s 3Arena (April 29), Manchester’s Aviva Studios (May 27) and Glasgow’s Barrowland Ballroom (May 30). These shows are scheduled around an extensive European itinerary, with concerts confirmed in Oslo, Copenhagen, Berlin, Paris, Amsterdam, Brussels, Milan and Hamburg across the spring and summer.

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Support acts for the tour will include pianist and composer Dylan Meek, ambient pioneer Laraaji, and Ghanaian electronic artist Ata Kak, bringing a broad mix of sounds to accompany Big Thief’s own eclectic style. The tour follows the release of ‘Double Infinity;, the band’s first album since 2022’s Grammy-nominated ‘Dragon New Warm Mountain I Believe in You’.

So far, Big Thief have previewed the record with four singles: ‘Incomprehensible’, ‘Grandmother’, ‘All Night All Day’ and ‘Los Angeles’. In a statement about the making of the album, the band said: “We (James, Buck, & Adrianne) spent the last couple of years gathering songs, then asked our friends to join us in bringing the songs to life, and then whittled it down to the nine in this batch.”  

 

 

 

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The shows mark another step up for the Brooklyn-formed band, who have steadily built a reputation as one of indie rock’s most ambitious and acclaimed acts. Their previous tours have seen them balance intimate performances with festival headline slots, but the scale of venues on the Somersault Slide 360 tour underlines the band’s growing global reach.

Tickets for the UK and European dates go on general sale at 10am BST on Thursday, September 11. An artist presale will open earlier, at 10am on Monday, September 8.

‘Double Infinity’ is available to preorder now.

Full list of tour dates and venues

APRIL 2026
08 – Oslo, Sentrum Scene
09 – Oslo, Sentrum Scene
10 – Stockholm, B-K
11 – Copenhagen, K.B. Hallen
13 – Berlin, Columbiahalle
14 – Cologne, E-Werk
17 – Paris, L’Olympia
18 – Paris, L’Olympia
21 – Amsterdam, AFAS Live
23 – London, O2 Academy Brixton
24 – London, O2 Academy Brixton
25 – London, O2 Academy Brixton
29 – Dublin, 3Arena

 MAY 2026

27 – Manchester, Aviva Studios
30 – Glasgow, Barrowland Ballroom

JUNE 2025
02 – Brussels, Forest National
03 – Luxembourg City, den Atelier
14 – Milan, Magnolia
15 – Munich, Tonhalle
16 – Hamburg, Große Freiheit 36